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In the first comprehensive study of Virginia Woolf's Common Reader, Katerina Koutsantoni draws on theorists from the fields of sociology, sociolinguistics, philosophy, and literary criticism to investigate the thematic pattern underpinning these books with respect to the persona of the 'common reader'. Though these two volumes are the only ones that Woolf compiled herself, they have seldom been considered as a whole. As a result, what they reveal about Woolf's position with regard to the processes of writing, reading, and critical analysis has not been fully examined. Koutsantoni challenges the critical commonplace that equates Woolf's strategy of self-effacement and personal removal from he...
AN EYE FOR AN EYE They are battered women, grieving parents, and burglarized homeowners who responded to criminal violence by taking the law into their own hands. Their cases have struck a deep chord in American society. Are they victims of a failing judicial system or criminals themselves? True crime writer Gary Provost examines the stories of ordinary citizens who have taken on the roles of judge, jury and — sometimes — executioner. Are their acts a higher form of justice...or merely revenge? You decide: * Bernhard Goetz, who shot four teenagers when they approached him on a subway train and demanded money * The young man who gunned down his own friend for killing his teenaged sister i...
A revised edition of a popular resource builds on the authors' findings that key problems in teaching methods are causing America to lag behind international academic standards, outlining a program for administrators, instructors, and parents that incorporates solutions based on current research. Reprint.
Translation and Repetition: Rewriting (Un)original Literature offers a new and original perspective in translation studies by considering creative repetition from the perspective of the translator. This is done by analyzing so-called "unoriginal literature" and thus expanding the definition of translation. In Western thought, repetition has long been regarded as something negative, as a kind of cliché, stereotype or automatism that is the opposite of creation. On the other hand, in the eyes of many contemporary philosophers from Wittgenstein and Derrida to Deleuze and Guattari, repetition is more about difference. It involves rewriting stories initially told in other contexts so that they a...
Writings: Papers, Reviews, Articles, Short-Shorts, Thoughts is a collection of texts about contemporary trends in literature and film that the author has written over the years. "If I had to sum up the book, I would say it is about art." The journey starts with an analysis of the monster Leviathan and its representation in the Bible and in the secular world. Two movie reviews are then presented: "Eyes Wide Open" and "De Lama Lamina." There is an essay on Hemingway's "Hills Like White Elephants"; a paper on "Autopoiesis and Queer Theory"; and three more movie reviews of "Little Miss Sunshine," "Far From Heaven" and "The Scarlet Letter" by Wim Wenders. To close the book, the author includes a ...
This book traces the significance that the modulations of sensory perception have had for thinking about aesthetics and art in the last two and a half centuries. Beyond a discussion of the philosophical significance of beauty, or of the puzzle of aesthetic representation, aesthetics is conceived broadly as a means of describing our relationship to the world in terms of the habits of perception, and indeed the overturning of these habits, as in the modernist aesthetic of defamiliarisation. In the light of the ideas of the contemporary German aesthetic theorist, Wolfgang Welsch, this book offers the first discussion of the theory and practice of art that operates at the poles of perception: se...
The nature, conditions and place of medieval theatre performance remain somewhat mysterious, with scholarship in the field tending to be devoted to its context, and to the texts themselves. The essays in this volume seek to address this omission. They consider such matters as the nature of performance in theatre/dance/puppetry/automata; the performed qualities of such events; the conventions of performed work; what took place in the act of performing; and the relationships between performers and witnesses, and what conditioned these relationships.
An exploration of sleep at the intersection of literature, science, and pharmacology in the early twentieth century. At the turn of the twentieth century, sleep began to be seen not merely as a passive state but as an active, dynamic process crucial to our understanding of consciousness and identity. In Sleep Works, cultural historian and literary scholar Sebastian P. Klinger explores the intriguing connections between scientific inquiry and literary expression during an era when sleep was both a scientific mystery and a cultural fascination. Scientists, physicians, and pharmaceutical companies were at the forefront of this newfound fascination with sleep: some researchers distinguished slee...
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