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Foreword by Raghubir Singh Ketaki Sheth is recognised as one of India's leading women's photographers and lives and works both in India and the UK. In this wonderful collection she takes as her subject twins born to those with the surname Patel - a name which dates back to the 15th century and was originally a title bestowed by the Moghuls. Illustrated with 80 duotones.
Bombay is a city that never sleeps - its population and its geography put a premium on space, but a lot of 'living' happens on the street. Exploring the city in all of its glory, 'Bombay Mix' brings together the street photographs of Ketaki Sheth, taken from a period of almost 20 years.
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This book is a compendium of papers presented in the International Conference on Emerging Global Economic Situation: Impact on Trade and Agribusiness in India. The book covers thirty four papers covering the emerging trends in global management and information technology. This book will be very useful for all those are interested in issues related to global management and information technology.
In the New York Times, critic Teju Cole offered this appreciation of the work of Indian–born photographer Raghubir Singh (1942—1999): "Singh gives us photographs charged with life: not only beautiful experiences or painful scenes but also those in–between moments of drift that make up most of our days." This richly illustrated volume, the first in–depth study of Singh's work, situates it at the intersection of Western modernism and traditional South Asian modes of picturing the world. A major practitioner of color street photography, Singh captured images that demonstrate the diverse culture of India. Raghubir Singh features over 100 of his photographs—in counterpoint with the work of such influences as Henri Cartier–Bresson and Lee Friedlander and with images of traditional South Asian artworks that inspired his practice—providing an extensive overview of the artist's career. With its vibrant plates and insightful essays, this publication brilliantly illustrates Cole's assessment that Singh's work draws "breathtaking coherence out of the chaos of the everyday."
This Element looks at the relationship between heritage and design by way of a case study approach. It offers up ten distinct portraits of a range of heritage makers located in Goa, a place that has been predicated on its difference, both historical and cultural, from the rest of India. A former Portuguese colonial enclave (1510–1961) surrounded by what was formerly British India (1776–1947), the author attempts to read Goa's heritage as a form of place-ness, a source of inspiration for further design work that taps into the Goa of the twenty-first century. The series of portraits are visual, literary, and sensorial, and take the reader on a heritage tour through a design landscape of villages, markets, photography festivals, tailors and clothing, books, architecture, painting, and decorative museums. They do so in order to explore heritage futures as increasingly dependent on innovation, design, and the role of the individual.
This book is a compendium of papers presented in the International Conference on Emerging Global Economic Situation: Impact on Trade and Agribusiness in India jointly organised by Agro-Economic Research Centre (AERC) of Sardar Patel University, Vallabh Vidyanagar, Anand (Gujarat) and Bhikhabhai Jivabhai Vanijya Mahavidyalaya (BJVM), Vallabh Vidyanagar during September 28-29, 2018 with the support of Ministry of Agriculture and Farmers Welfare, Government of India and National Bank for Agriculture and Rural Development (NABARD), Ahmedabad. This book will be very useful for all those interested in issues related to international business and commerce.
The first collection of short stories are deeply personal in nature, all located in Mumbai- its folds and seams- which the writer has explored all his life. Familial bond or the lack of them, an intimate dekko at a media group's machinations, a close study of the Irani community which is fast vanishing in the metropolis, the underworld and the staggeringly bold new world of sexual relationships sparked by websites are just some of the narratives, with a twist in the tale. KHALID MOHAMED started as reviewer and co-editor, during his teenage years for close-up, a film society magazine. He reviewed television for The Economic Times basides contributing articles to The Illustrated Weekly of Indi...
Anthology of Significant Events in Indian Modern Art and Socio-Cultural History is designed as a career-oriented educational book that includes prominent as well as less known, yet relevant socio-cultural events of modern Indian history. This book is particularly useful for faculty and students of art and culture, research scholars and individuals preparing for competitive exams at State and Union level in India. The book can be a valuable addition to the collection of any art, culture, and history enthusiast. The authors have endeavored to keep the content succinct and brief, to maintain the focus on context of events and the related dates and places. The broad subjects covered are Fine Arts, Painting, Music, Poetry, Dance, Sculpture, Theatre, Architecture, Photography, Cinema, and Literature. This anthology offers a comprehensive understanding of events beginning from the colonial era in 1850 and until 2015.