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The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance
In The New Guitarscape, Kevin Dawe argues for a re-assessment of guitar studies in the light of more recent musical, social, cultural and technological developments that have taken place around the instrument. He presents a synthesis of previous work on the guitar, but also expands the terms by which the guitar might be studied, drawing from studies in science and technology, design theory, material culture, cognition, sensual culture, gender and sexuality, power and agency, ethnography (real and virtual) and globalization. Dawe presents the guitar as an instrument involved in an enormous variety of cultural interactions and political exchanges in many different contexts around the world.
Music and Musicians in Crete
This is the first detailed ethnographic study of lyra music and musicians in Crete, discussing the local music industry, teaching and performance infrastructure, repertoire, performance practice, gender and music, the role and significance of local musical instruments, poetry, dance, iconography, promotional materials, social change, globalization, world music, and diaspora.
The Cultural Study of Music
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Mediterranean Mosaic
First published in 2003. The Mediterranean region, which includes Turkey, the Middle East, and North Africa, along with Italy, Greece, Spain and other European countries, encompasses a plethora of diverse but also interconnected cultures. The musical styles are just as diverse. Mediterranean Mosaic weaves together issues of music contemporary geopolitics and identity struggles. Acknowledging the region's historical legacy, it examines the ebb and flow of traditional musics within the region as well as outside influences on these traditions. Topics covered include: Klapa singing and Cha Wave from Croatia, the pop group Alibina, Pop-Rai from Algeria, and jazz in the Mediterranean. Also includes 20 musical examples.
Guitar Cultures
The guitar is one of the most evocative instruments in the world. It features in music as diverse as heavy metal, blues, indie and flamenco, as well as Indian classical music, village music making in Papua New Guinea and carnival in Brazil. This cross-cultural popularity makes it a unique starting point for understanding social interaction and cultural identity. Guitar music can be sexy, soothing, melancholy or manic, but it nearly always brings people together and creates a common ground even if this common ground is often the site of intense social, cultural, economic and political negotiation and contest.This book explores how people use guitars and guitar music in various nations across ...
Island Musics
What does the music of Madagascar or Trinidad tell us about the islands themselves and their inhabitants? Is there something unique about island musics? How does island music differ from its mainland counterparts? Drawing on a range of diverse examples from around the globe, this book examines the culture of island music and offers insight into local identities. Case studies look at how music, tradition, popular culture and islander life are linked in modern maritime societies. The islands covered include Crete, Ibiza, Zanzibar, Trinidad, Cuba, Madagascar and Papua New Guinea. In revealing the current practice behind modern island musics, the book considers the role of world music, exotica, ...
Music and Displacement
The grand narratives of European music history are informed by the dichotomy of placements and displacements. Yet musicology has thus far largely ignored the phenomenon of displacement and underestimated its significance for musical landscapes and music history. Music and Displacement: Diasporas, Mobilities, and Dislocations in Europe and Beyond constitutes a pioneering volume that aims to fill this gap as it explores the interactions between music and displacement in theoretical and practical terms. Contributions by distinguished international scholars address the theme through a wide range of case studies, incorporating art, popular, folk, and jazz music and interacting with areas, such as...
Instrumental Lives
The musical instruments of East and Southeast Asia enjoy increasing recognition as parts of humanity’s intangible cultural heritage. Helen Rees edits a collection that offers vibrant new ways to link these objects to their materials of manufacture, the surrounding environment, the social networks they form and help sustain, and the wider ethnic or national imagination. Rees organizes the essays to reflect three angles of inquiry. The first section explores the characteristics and social roles of various categories of instruments, including the koto and an extinct Balinese wooden clapper. In section two, essayists focus on the life stories of individual instruments ranging from an heirloom ...
Guitar Makers
The craft tradition of making string instruments goes back to Stradivarius, the 18th-century luthier whose instruments today are very nearly priceless. Kathryn Dudley here takes us on a quest for the Guitar Heroes of the 21st century, the luthiers whose artisanal skills (as opposed computer numerical control technology) produce exquisite one-of-a-kind instruments. But she tracks industrial guitar-making as well as artisanal, starting with the post-WW II golden era of the Martin and Gibson companies on to a second golden era, a result of new modes of information sharing. She has interviewed 100 luthiers and 50 dealers, collectors, musicians, material suppliers, and guitar festival organizers....
The Color of Sound
Throughout Brazil, Afro-Brazilians face widespread racial prejudice. Many turn to religion, with Afro-Brazilians disproportionately represented among Protestants, the fastest-growing religious group in the country. Officially, Brazilian Protestants do not involve themselves in racial politics. Behind the scenes, however, the community is deeply involved in the formation of different kinds of blackness—and its engagement in racial politics is rooted in the major new cultural movement of black music. In this highly original account, anthropologist John Burdick explores the complex ideas about race, racism, and racial identity that have grown up among Afro-Brazilians in the black music scene....
