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My Prefect Cousin
'The funniest book I've read this year.' Harry Hill 'Laugh out loud funny, as well as being a detailed and thorough look at a certain strange aspect of the British counter culture over the last 30 years, seen through the judgmental and jaundiced eyes of Eldon's most enduring comic character.' Stewart Lee 'Kevin Eldon's excellent and often hilarious biography.' Bill Bailey '(T)he best fictional biography since Alan Partridge's We Need To Talk About Alan.' Steve Bennett Chortle.co.uk Kevin Eldon has starred in classic comedies from I'm Alan Partridge to Big Train, Hot Fuzz to The IT Crowd. Here he goes on the trail of his cousin, a man described as 'judgmental and jaundiced' by Stewart Lee - poet Paul Hamilton. It's fair to say that they don't hit it off. My Prefect Cousin charts the roller coaster ride of Hamilton's life; the emotional highs, the murky depths, with personal contributions from the poet that are often characterised by a brutal honesty that is not for the weak stomached. My Prefect Cousin also contains for the very first time on the printed page 'Shadows of Reflections', the anthology of poetry Hamilton has failed for so long to find a publisher for. Until now.
The Catalyst
'Kevin, the same men who killed Stein are after me...' When Doctor Michael Ward dies in a suspicious fire, his student Kevin Hamilton is convinced it was no accident. The young Ph.D. student received a cryptic email from Ward just before the fatal blaze, warning him that their recent and supposedly failed experiment had actually brought about one of the most important discoveries of the century: a chemical process worth billions, with the potential to destroy lucrative global industries. Along with his girlfriend, Kevin faces an urgent race to escape some extremely dangerous assassins. He must use all of his wits to protect his top-secret discovery and to prevent a conspiracy that will silence him for ever. And time is running out... This is the classic action-packed thriller from the internationally bestselling author of The Noah's Ark Quest. **This book was originally published as The Adamas Blueprint**
Lookout America!
"The story of the Cold War era Lookout Mountain Laboratory, or the 1352nd Photographic Group of the United States Air Force, which employed hundreds of Hollywood studio veterans. Engages with issues of the Cold War state and visual culture"--
This Is Not Florida
On July 7, 2009, Al Franken was sworn in as Minnesota's junior U.S. senator-eight months after Election Night. In the chill of November 2008, Republican incumbent Norm Coleman led by a slim 215 votes, a margin that triggered an automatic statewide recount of more than 2.9 million ballots. Minnesota's ensuing recount, and the contentious legal and public relations battle that would play out between the Franken and Coleman lawyers and staff, simultaneously fascinated and frustrated Minnesotans and the nation-all while a filibuster-proof Senate hung in the balance. This Is Not Florida is the behind-the-scenes saga of the largest, longest, and most expensive election recount in American history....
How to Start a Home-based Mobile App Developer Business
With the app market exploding, app designers will need a solid how-to guide to help them start their home-based business. This book will guide the reader through all the steps from design to marketing.
Contemporary Art and the Church
The church and the contemporary art world often find themselves in an uneasy relationship in which misunderstanding and mistrust abound. Drawn from the 2015 biennial CIVA conference, these reflections from theologians, pastors, and practicing artists imagine the possibility of a renewed and mutually fruitful relationship between contemporary art and the church.
Cinema's Military Industrial Complex
The vast, and vastly influential, American military machine has been aided and abetted by cinema since the earliest days of the medium. The US military realized very quickly that film could be used in myriad ways: training, testing, surveying and mapping, surveillance, medical and psychological management of soldiers, and of course, propaganda. Bringing together a collection of new essays, based on archival research, Wasson and Grieveson seek to cover the complex history of how the military deployed cinema for varied purposes across the the long twentieth century, from the incipient wars of US imperialism in the late nineteenth century to the ongoing War on Terror. This engagement includes cinema created and used by and for the military itself (such as training films), the codevelopment of technologies (chemical, mechanical, and digital), and the use of film (and related mass media) as a key aspect of American "soft power," at home and around the world. A rich and timely set of essays, this volume will become a go-to for scholars interested in all aspects of how the military creates and uses moving-image media.
By Monday
Trent Pennington, a scientist, returns from deep space to find Earth in chaos. The mayhem is much worse than the planets leaders suspect. He spent the last sixteen years aboard an ancient space vessel against his will. Despite that, he has become very powerful. To Penningtons surprise, his wife Sarah has entered politics, and risen quickly. They have secrets that they both prefer to remain hidden. Will they work together to save the planet from Armageddon, or will they oppose each other? Will they renew their vows, or go their separate ways? The saga progresses at a brisk pace as events unfold. Troubled citizens become desperate. They involve themselves in nefarious plots. None understand what drives them, as impending doom approaches. The planet can only be saved by collective efforts.
A Companion to the War Film
A Companion to the War Film contains 27 original essays that examine all aspects of the genre, from the traditional war film, to the new global nature of conflicts, and the diverse formats that war stories assume in today’s digital culture. Includes new works from experienced and emerging scholars that expand the scope of the genre by applying fresh theoretical approaches and archival resources to the study of the war film Moves beyond the limited confines of “the combat film” to cover home-front films, international and foreign language films, and a range of conflicts and time periods Addresses complex questions of gender, race, forced internment, international terrorism, and war protest in films such as Full Metal Jacket, Good Kill, Grace is Gone, Gran Torino, The Messenger, Snow Falling on Cedars, So Proudly We Hail, Tae Guk Gi: The Brotherhood of War, Tender Comrade, and Zero Dark Thirty Provides a nuanced vision of war film that brings the genre firmly into the 21st Century and points the way for exciting future scholarship
