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Art of the Ancient Near East
"Provides the cultural, archaeological, and historical contexts for a selection of thirty works of art in the Metropolitan Museum's collection"--Slipcase.
Beyond Babylon
This important volume describes the art created in the second millennium B.C. for royal palaces, temples, and tombs from Mesopotamia, Syria, and Anatolia to Cyprus, Egypt, and the Aegean.
Jewelry
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} As an art form, jewelry is defined primarily through its connection to and interaction with the body—extending it, amplifying it, accentuating it, distorting it, concealing it, or transforming it. Addressing six different modes of the body—Adorned, Divine, Regal, Transcendent, Alluring, and Resplendent—this artfully designed catalogue illustrates how these various definitions of the body give meaning to the jewelry that adorns and enhances it. Essays on topics spanning a wide range of times and cultures establish how jewelry was used as a symbol of power, status, and identity, from earflares of warrior heroes in Pre-Colombian...
Beautiful Bodies
This book explores the role of material culture in the formation of corporeal aesthetics and beauty ideals in different past societies and thus contributes to the cultural relativization of bodily aesthetics and related gender norms. The volume does not explore beauty for the sake of beauty, but extensively explores how it serves to form and keep gender norms in place. The concept of beauty has been a topic of interest for some time, yet it is only in recent times that archaeologists have begun to approach beauty as a culturally contingent and socially constructed phenomenon. Although archaeologists and ancient historians extensively dealt with gender, they dealt less with it in relation to beauty. The contributions in this volume deal with different intersections of gender and corporeal aesthetics by turning to rich archaeological, textual and iconographic data from ancient Sumer, Aegean Bronze Age, ancient Egypt, ancient Athens, Roman provinces, the Viking world and the Qajar Iran. Beauty thus moves away from a curiosity and surface of the body to an analytic concept for a better understanding of past and present societies.
Assyrian Origins
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Art and Immortality in the Ancient Near East
Far from being a Judeo-Christian invention, apocalyptic thought had its roots in the ancient Near East and was expressed in its art.
Testing the Canon of Ancient Near Eastern Art and Archaeology
This volume addresses and problematizes the formation and transformation of the ancient Near Eastern art historical and archaeological canon. The 'canon' is defined as an established list of objects, monuments, buildings, and sites that are considered to be most representative of the ancient Near East. In "testing" this canon, this project takes stock of the current canon, its origins, endurance, and prospects. Boundaries and typologies are examined, technologies of canon production are investigated, and heritage perspectives on contemporary culture offer a key to the future.
Introduction ;Introducing Assyria ;Assyrian places ;Assyrians at home ;Assyrians abroad ;Foreigners in Assyria ;Assyrian world domination ;Chronology ;Glossary ;References ;Further reading ;Index
From city state to empire, in the early 2nd millennium BC to the end of the 7th century BC, Assyria was one of the most influential kingdoms of the Ancient Near East. Using archaeological discoveries from across the Middle East, Karen Radner demonstrates the vast, socially diverse, multicultural nature of Ancient Assyria and the Assyrian Empire.
The Oxford Handbook of Maritime Archaeology
This title is a comprehensive survey of maritime archaeology as seen through the eyes of nearly fifty scholars at a time when maritime archaeology has established itself as a mature branch of archaeology.
