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Nin's importance as a feminist and visionary is finally revealed. Based on a new examination of long-buried letters, papers, and original manuscripts held at UCLA and found in Nin's Los Angeles home, Spy in the House of Anais Nin takes a penetrating look at Nin's incredible life and famous diary. Firmly placing Nin in her historical context as a feminist and visionary, this collection of essays lifts the lid on the origins of Nin's secrets and lies, gives voice to her husband via an unpublished letter, reveals Nin's real politics, and discloses the truth of Gore Vidal's feelings for Nin via an unearthed love letter from Vidal to Nin. With this book, author Kim Krizan serves as the ultimate spy, conducting deep background on Anais Nin -- the notorious, rule-shattering diarist who was the self-proclaimed "spy in the house of love."
The critical condition and historical motivation behind Time Studies The concept of time in the post-millennial age is undergoing a radical rethinking within the humanities. Time: A Vocabulary of the Present newly theorizes our experiences of time in relation to developments in post-1945 cultural theory and arts practices. Wide ranging and theoretically provocative, the volume introduces readers to cutting-edge temporal conceptualizations and investigates what exactly constitutes the scope of time studies. Featuring twenty essays that reveal what we talk about when we talk about time today, especially in the areas of history, measurement, and culture, each essay pairs two keywords to explore...
During the 1990s, Austin achieved “overnight” success and celebrity as a vital place for independent filmmaking. Directors Richard Linklater and Robert Rodriguez proved that locally made films with regional themes such as Slacker and El Mariachi could capture a national audience. Their success helped transform Austin’s homegrown film community into a professional film industry staffed with talented, experienced filmmakers and equipped with state-of-the art-production facilities. Today, Austin struggles to balance the growth and expansion of its film community with an ongoing commitment to nurture the next generation of independent filmmakers. Chainsaws, Slackers, and Spy Kids chronicle...
This title provides an incisive analysis of popular American filmmaker, Richard Linklater.
With high-profile Academy Award nominations and an increasing number of big-name actors eager to sign on to promising projects, independent films have been at the forefront in recent years like never before. But the roots of such critical and commercial successes as The Hurt Locker and Precious can be traced to the first boom of independent cinema in the 1960s, when a raft of talented filmmakers emergedto capture the attention of a rapidly growing audience of young viewers. A thorough overview of a thriving area of cultural life, Directory of World Cinema: American Independent chronicles the rise of the independent sector as an outlet for directors who challenge the status quo, yet still pro...
Born in Los Angeles, California, Jolie is the daughter of actors Jon Voight and Marcheline Bertrand. She is the sister of actor James Haven, niece of singer-songwriter Chip Taylor, and goddaughter of actors Jacqueline Bisset and Maximilian Schell. On her father's side, Jolie is of German and Slovak descent, and on her mother's side, she is of primarily French Canadian, Dutch, and German ancestry, as well as of distant Huron heritage.
Imaginatio et Ratio (www.imaginatioetratio.org) is a peer reviewed journal primarily focusing on the intersection between the arts and theology, hoping to allow imagination and reason to be seen as intimately intertwined-as different expressions of the same divine truth. Imaginatio et Ratio was started in the hopes that it could serve a growing community of artists and thinkers and strives to present accessible but high quality art, literary fiction, creative non-fiction, and theology/philosophy-as well as interviews and book, film, art and music reviews. The journal is published twice a year and is available in print and digital formats.
"AUTHOR'S NOTE: This book is unconventional. A self-conscious experiment in form that draws together two vernaculars: anthropological thought and the pop culture of my youth. It is a fraught exercise. I write as a White guy about angst and alienation in the privileged spaces of anthropology and higher education. I appreciate the irony. I hope nonetheless that my experiences with and critical perspectives on social conventions, the culture of liberalism, and ableism in academia might be useful. I seek to expand possibilities of anthropological representation while challenging epistemological, aesthetic, and professional norms in my discipline. It bothers me that anthropology can be so sanctim...
From Slacker (1991), a foundational work of independent American cinema, to the Before trilogy, Richard Linklater’s critically acclaimed films and aesthetic ambition have earned him a place as one of the most important contemporary directors. In this second edition of The Cinema of Richard Linklater, Rob Stone shows how Linklater’s latest films have redefined our understanding of his work. He offers critical discussions and analysis of all of Linklater’s films, including Before Midnight (2013) and Everybody Wants Some!! (2016), as well as new interviews with Linklater and a chapter on Boyhood (2014), hailed as one of the best films of the twenty-first century. Stone explores the theore...