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In his best-selling travel memoir, The Innocents Abroad, Mark Twain punningly refers to the black man who introduces him to Venetian Renaissance painting as a “contraband guide,” a term coined to describe fugitive slaves who assisted Union armies during the Civil War. By means of this and similar case studies, Paul H. D. Kaplan documents the ways in which American cultural encounters with Europe and its venerable artistic traditions influenced nineteenth-century concepts of race in the United States. Americans of the Civil War era were struck by the presence of people of color in European art and society, and American artists and authors, both black and white, adapted and transformed Eur...
The story of the Apsaalooke (Crow) men who scouted for the Seventh United States Cavalry in 1876 has been told by historians, with details sometimes distorted or fabricated. Biilaachia--better known as White Swan--survived the Battle of Little Bighorn despite severe wounds. One soldier recalled him standing beside his horse, firing at the Sioux: "He would not mount up and try to get away but stood and fought." White Swan continued to scout off-and-on for the U.S. Army until 1881 and recorded his 22 combat actions in 37 paintings and drawings. Done in traditional Plains warrior biographic style, his complete body of work is presented here for the first time, along with the history behind each depiction. His life is detailed in photographs, some never before published, and four little-known interviews, as well as extensive research about the Apsaalooke people.
Volume I. Quilts and textiles, Ceramics, Silver, Weaponry, Furniture, Vernacular architecture, Native American art -- volume II. Photography, Fine art.
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v. 1. Research findings -- v. 2. Concepts and methodology -- v. 3. Implementation issues -- v. 4. Programs, tools and products.
When the Second Continental Congress adopted the Declaration of Independence and created a new nation - the United States of America - few colonists-turned-citizens could foresee the great struggles that lay before it in the centuries to come. Forging a Nation explores those struggles--the history of the US--as told through art, artifacts, and archival materials that illuminate some three hundred years of a shared cultural experience.
The story of Thomas Gilcrease (1890-1962) is the story of the world's first oil boom, of a state in its formative years, of marriages and fortunes made and lost--but most lastingly it is the story of how the Gilcrease collection came to exist, and how Gilcrease Museum became an unparalleled treasure house now owned by the citizens of Tulsa, Oklahoma. With over 500,000 artifacts, pieces of art, and archival gems, it is a testament to one man's dedication and vision. In Thomas Gilcrease, the man behind that museum is revealed. Born in 1890, Thomas Gilcrease came of age at roughly the same time that Indian Territory became the forty-sixth state of the Union, in 1907. As a citizen of the Creek N...