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Writing Choreography
A new contribution to studies in choreography, Writing Choreography: Textualities of and beyond Dance focuses upon language and writing-based approaches to choreographing from the perspectives of artists and researchers active in the Nordic and Oceanic contexts. Through the contributions of 15 dance–artists, choreographers, dramaturges, writers, interdisciplinary artists and artist–researchers, the volume highlights diverse textual choreographic processes and outcomes arguing for their relevance to present-day practices of expanded choreography. The anthology introduces some Western trends related to utilizing writing, text and language in choreographic processes. In its focus on art-mak...
Nordic Speculative Fiction
This volume brings together scholarly theories and practices on speculative fiction from the Nordic countries, including Denmark, Finland, Iceland, Norway, and Sweden, that are all rooted in similar values, culture, and history yet are independent and unique societies. The book exhibits both the convergences and the diversity of the Nordics in fiction and fandom as well as in research. It traces the roots of Nordic speculative fiction, how it has developed over time, and how the changes in Nordic environments and societies caused by overhanging shared global issues – such as climate change, mass migration, and technological acceleration – find space in speculative practices. The first of...
Kokemuksia mielisairaalasta
Finnish psychiatric practice has been heavily based on institutionalization, and mental hospitals have played important cultural and historical roles in Finland. Our multidisciplinary research focuses on the bodily, spatial, affective, and multisensory aspects of the memories of patients, relatives, staff, and their children. The memories were collected and archived in the Finnish Literature Society in 2014–2015. These 92 written pieces cover the period from the 1930s to the 2010s. They reflect significant changes in Finnish psychiatry and provide crucial insights into the various meanings of mental hospitals in people’s lives, and the social and cultural forces that shape attitudes to a...
Qualitative Research Methods in Mental Health
This book examines innovative approaches to the use of qualitative methods in mental health research. It describes the development and use of methods of data collection and analysis designed. These methods address contemporary and interdisciplinary research questions, such as how to access the voices of vulnerable populations, understand the relationship between experience and discourse, and identify processes and patterns that characterize institutional practices. The book offers insight into projects that reflect various cultural contexts and geographical locations as well as involve diverse research teams, ranging in their methodology from individual case studies to community-based interv...
Kirjailijapoetiikat
The Writer’s Poetics. Poetics as an Approach to an Author’s Body of Work is an introduction to the writer’s poetics as a distinctive research orientation, as well as a collection of case studies focusing on authors working in different eras and languages. While the 20th Century traditions of poetics have produced studies on the textual styles and techniques that characterize the writing of particular authors, the research orientation has not been explicitly defined and sufficiently theorized. The Writer’s Poetics frames the research orientation theoretically, and the 14 case studies making up the chapters demonstrate the diversity of viewpoints available within it. The contributors study authors ranging from 19th Century Finnish-Swedish female writers to 20th Century African-American novelists to postmodernist and contemporary authors of prose and lyric – and to the most successful Finnish rap artists of the 2010’s.
An Introduction to Community Dance Practice
This popular core textbook offers a clear introduction to community dance practice today, preparing students for the realities of employment in this dynamic and widely studied field. The text is edited by a highly-regarded professional with an international reputation for best practice in community dance, and includes chapters written by an expert panel of contributors, comprising dance artists, practitioners and academics. It combines lively discussion with practical advice on the duty of care, inclusive practice and project coordination. With its stimulating range of case studies, interviews and resources, the reader is encouraged to apply the facts and theories to their own practice. This text is aimed at undergraduate and postgraduate students on community dance degree programmes, as well as undergraduate and postgraduate students of dance, theatre and performance studies who are taking specific courses on community dance. It is also accessible to emerging and professional community dance practitioners.
Encountering Crises of the Mind
Mental health and madness have been challenging topics for historians. The field has been marked by tension between the study of power, expertise and institutional control of insanity, and the study of patient experiences. This collection contributes to the ongoing discussion on how historians encounter mental ‘crises’. It deals with diagnoses, treatments, experiences and institutions largely outside the mainstream historiography of madness – in what might be described as its peripheries and borderlands (from medieval Europe to Cold War Hungary, from the Atlantic slave coasts to Indian princely states, and to the Nordic countries). The chapters highlight many contests and multiple stakeholders involved in dealing with mental suffering, and the importance of religion, lay perceptions and emotions in crises of mind. Contributors are Jari Eilola, Waltraud Ernst, Anssi Halmesvirta, Markku Hokkanen, Kalle Kananoja, Tuomas Laine-Frigrén, Susanna Niiranen, Anu Rissanen, Kirsi Tuohela, and Jesper Vaczy Kragh.
Dance and the Performative
"This book articulates the dynamic with which a practitioner-based research has grown, is growing, and is applied, integrating the three concepts in its title: the interaction of spectator and performer in performative dance, discussed through a dance specific (or choreological) perspective which has developed out of and beyond the seminal research of Rudolf Laban." Back cover.
