You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
None
9. Between meaning and significance: reflections on ritual and mimesis / Alexander Henn -- 10. Animism on stage: tracing anthropology's heritage in contemporary African dance in Europe / Nadine Sieveking -- 11. Transgression and the erotic / Vincent Crapanzano -- 12. Michael Leiris: master of the ethnographic failure / Peter Phipps -- 13. Boundary confusion in anthropology and art: Pablo Picasso and Michael Leiris / Klaus Peter Buchheit -- 14. The concatenation of minds / Klaus Peter Buchheit -- 15. Transgressions of fieldwork/filed works: method in madness / John Hutnyk.
The Stranger-Kings of Sikka is the first monographic study of an origin myth and history of an indigenous eastern Indonesian state and the first contemporary ethnography of the Ata Sikka of Flores. The book will be of interest to anthropologists, ethnologists of Austronesia, historians and political scientists whose interests include Southeast Asia. During the 1920s, in the regency of Sikka on the island of Flores, D.D. Pareira Kondi and A. Boer Pareira, two notable men among the first literate Sikkanese, began writing about the history and culture of their people. Among their many surviving manuscripts are two long works on the origin of the rajas who ruled Sikka until the end of the rajadom in the 1950s. The author of this book uncovered the manuscripts in 1994 and found among them versions of the myth of origin of the Sikkanese rajas, an epic tale of immigrant-kings that was lost to living memory and as oral tradition by the 1970s. Drawing on Boer’s and Kondi's texts and his own field research in the regency of Sikka, Lewis presents an abridged English translation of the origin myth and constructs a history of the Sikkanese rajas and the organization of the society they ruled.
Ritual language, wild and domestic animals, and objects of material culture like houses, palaces, and works of art, are often loaded with symbolic meaning. Reading the landscape , or giving meaning to the natural environment, is a cultural act as well, and one must discover what mountains, coastlines, and islands mean to different groups of people. In this book, written on the occasion of Professor Reimar Schefold s retirement from the Department of Cultural Anthropology at Leiden University, colleagues and former students from the Netherlands and abroad demonstrate the variety and wealth of the field of symbolic anthropology. The regional focus of the book is Indonesia. The studies presented range from small island communities in western, northern, and eastern Indonesia to urban settlements in Java and Sumatra. All the contributions are in one way or another related to Reimar Schefold s work over the past thirty-five years, work that includes extensive studies on material culture, rituals, and the use of symbols in the expression of ethnicity among the various cultural groups of Indonesia.
A tale of overpowering passion, set in the exotic natural beauty of 15th century Java, the English translation of this example of an obscure genre of Javanese poetry will literally transport you to another world.
International Association of Culinary Professionals (IACP) 2010 Award Finalists in the Culinary History category. Chocolate. We all love it, but how much do we really know about it? In addition to pleasing palates since ancient times, chocolate has played an integral role in culture, society, religion, medicine, and economic development across the Americas, Africa, Asia, and Europe. In 1998, the Chocolate History Group was formed by the University of California, Davis, and Mars, Incorporated to document the fascinating story and history of chocolate. This book features fifty-seven essays representing research activities and contributions from more than 100 members of the group. These contrib...
In his richly illustrated Religion and Architecture in Premodern Indonesia Gaudenz Domenig investigates the nature of Indonesian ethnic religions by focusing on land opening rituals, sacred groves, and architectural responses to the custom of presenting offerings. Since deities and spirits were supposed to taste offerings on the spot, it was a task of architecture to attract them and to guide them into houses where offerings were presented. Domenig quotes numerous sources to show that certain material elements of the house were viewed as spirit attractors, spirit ladders or spirit pathways. Various ‘exotic’ features of Indonesian vernacular architecture thus become understandable as relics from times when architecture was still responding to indigenous religions practised in the archipelago.
Local renderings of the two Indian epics Ramayana and Mahabharata in Malay and Javanese literature have existed since around the ninth and tenth centuries. In the following centuries new versions were created alongside the old ones, and these opened up interesting new directions. They questioned the views of previous versions and laid different accents, in a continuous process of modernization and adaptation, successfully satisfying the curiosity of their audiences for more than a thousand years. Much of this history is still unclear. For a long time, scholarly research made little progress, due to its preoccupation with problems of origin. The present volume, going beyond identifying sources, analyses the socio-literary contexts and ideological foundations of seemingly similar contents and concepts in different periods; it examines the literary functions of borrowing and intertextual referencing, and calls upon the visual arts to illustrate the independent character of the epic tradition in Southeast Asia.
This book analyses the processes by which conservative and introverted Balinese villagers have been incorporated into the Indonesian nation-state.
This book explores how the concept of ‘region’ has evolved over time and shaped architectural culture and practice. It questions what the words ‘region’ and ‘regional’ mean for architecture, cities and landscapes past and present, and speculates on the forms they might take in the future. Region is explored in many thematic guises: as a real geographical site of evolving socio-economic activity; as a mythical locus of enduring value; as a gatekeeper of indigenous crafts and vernacular techniques; as a site of architectural and artistic imagination; as a repository of contested, conflicted and mobile identities. The contributing chapters take these themes from the theoretical and ...