Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Conservation of Modern Oil Paintings
Artists’ oil paints have become increasingly complex and diverse in the 20th Century, applied by artists in a variety of ways. This has led to a number of issues that pose increasing difficulties to conservators and collection keepers. A deeper knowledge of the artists’ intent as well as processes associated with material changes in paintings is important to conservation, which is almost always a compromise between material preservation and aesthetics. This volume represents 46 peer-reviewed papers presented at the Conference of Modern Oil Paints held in Amsterdam in 2018. The book contains a compilation of articles on oil paints and paintings in the 20th Century, partly presenting the o...
Van Gogh's Bedrooms
Catalogus bij de tentoonstelling van schilderijen die Van Gogh maakte van de slaapkamers in de 37 huizen waar hij gedurende zijn leven woonde.
Issues in Contemporary Oil Paint
This volume represents 27 peer-reviewed papers presented at the ICOP 2013 symposium which will help conservators and curators recognise problems and interpret visual changes on paintings, which in turn give a more solid basis for decisions on the treatment of these paintings. The subject matter ranges from developments of paint technology, working methods of individual artists, through characterisation of paints and paint surfaces, paint degradation vs. long time stability, to observations of issues in collections, cleaning and other treatment issues as well as new conservation approaches.
René Magritte
The first book-length material study of the works of Belgian Surrealist René Magritte. René Magritte (1898–1967) is the most famous Belgian artist of the twentieth century and a celebrated representative of the Surrealist movement. Much has been written about his practices, artistic community, and significance within the history of modernism, but little has been documented regarding his process. This volume examines fifty oil paintings made by Magritte between 1921 and 1967, now held at the Royal Museums of Fine Arts of Belgium. This technical study of his works using noninvasive scientific imaging and chemical analysis reveals the artist’s painting materials, his habit of overpainting previous compositions, and the origins and mechanisms of surface and pigment degradation. Of interest to conservators, scientists, curators, and enthusiasts of twentieth-century art, this book expands our understanding of Magritte the artist and provides new and useful findings that will inform strategies for the future care of his works.
Analytical Chemistry for the Study of Paintings and the Detection of Forgeries
Forgeries present a daunting problem to art historians, museums, galleries and curators who face challenges in determining the authenticity of paintings. Recent progress in science has led to the development of new methods for investigating works of art, and can provide new insights into the materials found in paintings. The rise in the value of paintings together with the knowledge and skills of forgers highlights the need to develop reliable scientific procedures to identify fakes. Given the complexity of materials in paintings and the convergence of various disciplines, a methodological approach for nvestigations of paintings is based on art historical, curatorial, aesthetic, technical an...
Metal Soaps in Art
This go-to reference work surveys the current state of knowledge in the field of metal soap-related degradation phenomena in art works. It contains detailed descriptions and images of the different phenomena and addresses the practical aspects of soap formation, preventive conservation, and treatment. The occurrence of metal soaps is one of the defining issues in the conservation of painted surfaces, and one that presently leaves innumerable open questions. It is estimated that around 70% of paintings in museum collections are affected by some form of metal soap-related degradation. In recent years, significant advances have been made in the detection and characterization of these compounds ...
Jean Paul Riopelle
Jean Paul Riopelle (1923-2002) was one of the most important Canadian artists of the twentieth century, yet he is relatively unknown in the U.S.. He began his career in Montreal in the 1940s, where he played a role in the influential Automatist movement, and established his reputation in the burgeoning art scene of postwar Paris, where his circle included André Breton, Samuel Beckett, and Sam Francis. During his career, Riopelle produced over six thousand works, including more than two thousand paintings. This volume, the second in the Artist's Materials series, grew out of a research project of the Canadian Conservation Institute. Initial chapters present an overview of Riopelle's life and situate his work within the context of twentieth-century art. Subsequent chapters address Riopelle's materials and techniques, focusing on his oil paintings and mixed media works, and on conservation issues. The preface is by Yseult Riopelle, the artist's eldest daughter and editor of his catalogue raisonné. This first book-length study of the artist in English will interest curators, conservators, conservation scientists, and general readers.
Clyfford Still
This groundbreaking book provides the first detailed account of the materials and techniques of perhaps the most radical—and until now, least studied—major American Abstract Expressionist. Among the most radical of the great American Abstract Expressionist painters, Clyfford Still has also long been among the least studied. Still severed ties with the commercial art world in the early 1950s, and his estate at the time of his death in 1980 comprised some 3,125 artworks—including more than 800 paintings—that were all but unknown to the art world. Susan F. Lake and Barbara A. Ramsay were granted access to this collection by the estate and by the Clyfford Still Museum in Denver, which ho...
Unruly Nature
Théodore Rousseau (1812–1867), arguably the most important French landscape artist of the mid-nineteenth century and a leader of the so-called Barbizon School, occupies a crucial moment of transition from the idealizing effects of academic painting to the radically modern vision of the Impressionists. He was an experimental artist who rejected the traditional historical, biblical, or literary subject matter in favor of “unruly nature,” a Romantic naturalism that confounded his contemporaries with its “bizarre” compositional and coloristic innovations. Lavishly illustrated and thoroughly documented, this volume includes five essays by experts in the field. Scott Allan and Édouard ...
