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Of Literature and Knowledge
"Of Literature and Knowledge looks ... like an important advance in this new and very important subject... literature is about to become even more interesting." – Edward O. Wilson, Pellegrino University Professor, Harvard University. Framed by the theory of evolution, this colourful and engaging volume presents a new understanding of the mechanisms by which we transfer information from narrative make-believe to real life. Ranging across game theory and philosophy of science, as well as poetics and aesthetics, Peter Swirski explains how literary fictions perform as a systematic tool of enquiry, driven by thought experiments. Crucially, he argues for a continuum between the cognitive tools employed by scientists, philosophers and scholars or writers of fiction. The result is a provocative study of our talent and propensity for creating imaginary worlds, different from the world we know yet invaluable to our understanding of it. Of Literature and Knowledge is a noteworthy challenge to contemporary critical theory, arguing that by bridging the gap between literature and science we might not only reinvigorate literary studies but, above all, further our understanding of literature.
The Theory of Knowledge (Routledge Revivals)
L. T. Hobhouse (1864-1929) was fundamental to the New Liberal movement of the late nineteenth and early twentieth century. He authored many important works in the fields of philosophy, economics and social liberalism. First published in 1896, The Theory of Knowledge considers the content and validity of knowledge, and the conditions on which our understanding of knowledge is based. It is a rich and important classic, which remains of value to students and academics with an interest in sociology, anthropology and the philosophy of logic.
Literary Semantics
This book illustrates how an original, simple but philosophically potent idea is developed into a theory for the human sciences -- covering philosophy, logic, epistemology, ethics, aesthetics, ontology, morality, religion, neurology, linguistics, psychology, anthropology, sociology, history, and education. A structured Glossary provides a roadmap to navigate these complexities. This revolutionary idea -- a trichotomy of knowledge, a three-fold division which includes everything that could ever be considered knowledge in the context of how the brain treats knowledge -- leads to theories of truth/affidence, value, the semantics of literature, modality, style and fictionality. Literary studies ...
Literary Knowledge
The author addresses contemporary controversies over the role of "theory" within the humanistic disciplines. In the process, he suggests ways in which significant modern texts in the philosophy of science relate to the study of literature.
An Introduction to the Theory of Knowledge
An Introduction to the Theory of Knowledge guides the reader through the key issues and debates in contemporary epistemology. Lucid, comprehensive and accessible, it is an ideal textbook for students who are new to the subject and for university undergraduates. The book is divided into five parts. Part I discusses the concept of knowledge and distinguishes between different types of knowledge. Part II surveys the sources of knowledge, considering both a priori and a posteriori knowledge. Parts III and IV provide an in-depth discussion of justification and scepticism. The final part of the book examines our alleged knowledge of the past, other minds, morality and God. O'Brien uses engaging examples throughout the book, taking many from literature and the cinema. He explains complex issues, such as those concerning the private language argument, non-conceptual content, and the new riddle of induction, in a clear and accessible way. This textbook is an invaluable guide to contemporary epistemology.
Criticism and Objectivity
First published in 1984 Criticism and Objectivity argues that literary critics should not abandon the concept of knowledge. English literary criticism has long considered ‘theory’ to be alien to the felt experience of readers and writers; the Romantic attitude towards reason and feeling has continued to inhibit the conceptual development of criticism. The similarities between the role of theory in science and in literary criticism imply the need for ‘objectivity’ to be redefined rather than abandoned. While accepting that tests are relatively open structures defying final interpretations, Dr Selden argues that their plurality is as much the effect of historical conditions as of the nature of language or subjectivity. He calls for an historical criticism capable of ‘conducting’ the voices of the text without resorting to formalism or reducing the text to its ‘background’. This book will be of interest to students of literary theory.
Ways of Knowing
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The Theory of Knowledge
This Is A New Release Of The Original 1896 Edition.
