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Transatlantic Renaissances
The impulses that fired the Southern Literary Renaissance echoed the impetus behind the Irish Literary Revival at the turn of the twentieth century, when Ireland sought to demonstrate its cultural equality with any European nation and disentangle itself from English-imposed stereotypes. Seeking to prove that the South was indeed the cultural equal of greater America, despite the harsh realities of political defeat, economic scarcity, and racial strife, Southern writers embarked on a career to re-imagine the American South and to re-invent literary criticism. Transatlantic Renaissances: Literature of Ireland and the American South traces the influence of the Irish Revival upon the Southern Re...
Yeats Annual No 5
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Seeking a Country
Although there are numerous published studies of Irish literature, and several women's autobiographies, none has combined these areas of study. Literary autobiographies of both women and men have gained popularity and scholarly attention over the last three decades, especially twentieth-century women's autobiographies. This study identifies and examines the Irishwomen's literary autobiography and traces its development through the twentieth century. The opening chapter discusses autobiographical trends prior to the present century in Ireland, and charts major movements in forming the women's autobiography of the twentieth century. Of particular importance are the ways in which the life stories of Irish women writers both affirm and contradict intercultural theories of women's autobiography, how these writers manifest their autobiographical "I" as a deflected entity, and the relevance of class and religious background to the autobiographical voices of women in Ireland. The core discussion of the study focuses on the self-narratives of Lady Augusta Gregory, Katharine Tynan, Mary Colum, Elizabeth Bowen, Kate O'Brien, and Eavan Boland.
Revisionary Views
This collection by one of America's most distinguished scholars, biographer of Sean O'Casey, and emeritus scholar at Brown University, examines a number of key issues and arguments in Irish intellectual life: Yeats as a political thinker, modern Irish criticism, the treatment of Dublin in modern literature, the conscience of Ireland and the poetry of Synge and Shaw. Additionally there is an in depth examination of O'Casey's work and his place in the canon.
Apartheid
On Challenging Journeys We Find Out Who We Are Apartheid is a powerful memoir of Una's Personal and political struggles growing up in the peaceful community of Vrededorp, Johannesburg, South Africa. By age nine, the political arena in South Africa changed; Una and her family are assessed, segregated and uprooted from their home in Vrededorp by the Aparteid Authorities and moved to Coronationville, a Johannesburg suburb. Witnessing "The Sharpville Massacre" in March 1960, a sudden shift of lens brought a new focus on her young mind that forever changed how she viewed those in power. After a failed marriage, she is now a single mother and determined to find a better life for herself and her son. She falls in love with a German immigrant. With her fierce spirit, she begins challenging the Immorality law and they fight for their love under the watchful eye and harassment of the local police. Her poems bring raw vulnerability and frustration to the forefront of what it feels like to be held back and watch injustice continue.
Growing Up Latinx
Introduction: Latinx youth growing up in the United States -- Legality as having papeles -- Socializing future citizens -- Rights as a privilege -- Citizenship as a sociopolitical process -- Claiming rights beyond state relations -- Conclusion: Reimagining citizenship, legality, and rights.
Lady Gregory and Irish National Theatre
This book is the first comprehensive critical assessment of the aesthetic and social ideals of Lady Augusta Gregory, founder, patron, director, and dramatist of the Abbey Theatre in Dublin. It elaborates on her distinctive vision of the social role of a National Theatre in Ireland, especially in relation to the various reform movements of her age: the Pre-Raphaelite Movement, the Co-operative Movement, and the Home Industries Movement. It illustrates the impact of John Ruskin on the aesthetic and social ideals of Lady Gregory and her circle that included Horace Plunkett, George Russell, John Millington Synge, William Butler Yeats, and George Bernard Shaw. All of these friends visited the celebrated Gregory residence of Coole Park in Country Galway, most famously Yeats. The study thus provides a pioneering evaluation of Ruskin’s immense influence on artistic, social, and political discourse in Ireland in the late nineteenth and early twentieth century.
The Extracellular Matrix: an Overview
Knowledge of the extracellular matrix (ECM) is essential to understand cellular differentiation, tissue development, and tissue remodeling. This volume of the series “Biology of Extracellular Matrix” provides a timely overview of the structure, regulation, and function of the major macromolecules that make up the extracellular matrix. It covers topics such as collagen types and assembly of collagen-containing suprastructures, basement membrane, fibronectin and other cell-adhesive glycoproteins, proteoglycans, microfibrils, elastin, fibulins and matricellular proteins, such as thrombospondin. It also explores the concept that ECM components together with their cell surface receptors can be viewed as intricate nano-devices that allow cells to physically organize their 3-D-environment. Further, the role of the ECM in human disease and pathogenesis is discussed as well as the use of model organisms in elucidating ECM function.
The Golden Thread
This two-volume edited collection illuminates the valuable counter-canon of Irish women's playwriting with forty-two essays written by leading and emerging Irish theatre scholars and practitioners. Covering three hundred years of Irish theatre history from 1716 to 2016, it is the most comprehensive study of plays written by Irish women to date. These short essays provide both a valuable introduction and innovative analysis of key playtexts, bringing renewed attention to scripts and writers that continue to be under-represented in theatre criticism and performance. Volume One covers plays by Irish women playwrights written between 1716 to 1992, and seeks to address and redress the historic absence of Irish female playwrights in theatre histories. Highlighting the work of nine women playwrights from the eighteenth and nineteenth centuries, as well as thirteen of the twentieth century's key writers, the chapters in this volume explore such varied themes as the impact of space and place on identity, women's strategic use of genre, and theatrical responses to shifts in Irish politics and culture.
Wisconsin Reports
Cases determined in the Supreme Court of Wisconsin.
