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... Dnia 24. Lipca 1834 r. około 12 w nocy przebudził mię stuk do bramy, a chociaż to prawie codziennie się zdarzało, dziwnie mię jakoś przeraził, i ks. Ojrzanowski również się przebudził. Uważnie podsłuchiwaliśmy ruch i chodzenie po korytarzu, wkrótce jasne światełko błysło przez szybkę, we drzwiach skrzypnęły rygle, wszedł Sojecki ze świecami i z dwoma żandarmami, przystąpił do tapczanu, na którym leżałem, mówiąc — Ubieraj się pan, pojedziemy. Porwałem się i odziawszy się nieco, spytałem; a dokąd, panie majorze?... Zachowano oryginalną pisownie wydania z 1876 roku: KSIĘGARNI I SKŁADU NUT GUBRYNOWICZA I SCHMIDTA
Measures and Men, considers times and societies in which weighing and measuring were meaningful parts of everyday life and weapons in class struggles. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
A new look at the life, times, and music of Polish composer and piano virtuoso Fryderyk Chopin Fryderyk Chopin (1810–49), although the most beloved of piano composers, remains a contradictory figure, an artist of virtually universal appeal who preferred the company of only a few sympathetic friends and listeners. Chopin and His World reexamines Chopin and his music in light of the cultural narratives formed during his lifetime. These include the romanticism of the ailing spirit, tragically singing its death-song as life ebbs; the Polish expatriate, helpless witness to the martyrdom of his beloved homeland, exiled among friendly but uncomprehending strangers; the sorcerer-bard of dream, mem...
"Warsaw was aware of and in tune with the most recent European styles and fashions in music, but it was also the cradle of a vernacular musical language that was initiated by the generation of Polish composers before Chopin and which found its full realization in his work. Had Chopin been born a decade earlier or a decade later, Goldberg argues, the capital - devastated by warfare and stripped of all cultural institutions - could not have provided support for his talent. The young composer would have been compelled to seek musical education abroad and thus would have been deprived of the specifically Polish experience so central to his musical style."--BOOK JACKET.