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The Scent of Light
Kazim Ali introduces five autofiction novellas by Kristjana Gunnars—available in the U.S. for the first time, in a single, handsome volume "Between the late eighties and late nineties, Kristjana Gunnars published five transgeneric novels comprised of a scintillating blend of fiction, autobiography, literary theory, and philosophy. Elusive and poetic... rigorous yet passionate...these books were treasured by a devoted readership and have been lauded by critics throughout the years since." – Kazim Ali, from the introduction From a childhood in Cold War Iceland to love affairs and deaths, these short works document a life of perpetual motion, told a discontinuous, subversive style to reflec...
Kristjana Gunnars
"The writings collected here all testify to the complexity of Gunnars's literary vision as much as they testify to the sheer pleasures of reading her work. In her interview, Gunnars speaks both as a reader and a writer, describing the form and modes of address of her work, as well as the philosophical and literary traditions she draws from. The nine essays and two poems that follow, organized chronologically according to the publication dates of the primary texts they treat, represent a broad range of approaches to Kristjana Gunnars's work. The contributers are M. Travis Lane, Judith Owens, Janice Kulyk Keefer, Deidre Lynch, Stephen Scobie, Anne Malena, Siobhan O'Flynn, K.I. Press, and Christl Verduyn. It is my hope that readers will find in this 'critical community' some productive points of entry into Gunnars's corpus that will stimulate their own thinking about her words and ideas" - from the Introduction by Monique Tschofen.
Zero Hour
Nominee, Governor General's Literary Award for Non-Fiction The story of a daughter's vigil over her father's death and her journey through grief in the aftermath of his decision to die with dignity. An unforgettable book, a poetically charged memoir of the author's passage through grief.
The Prowler
A powerful postmodern novel combining the elements of a psychological thriller with the history of a people trapped by landscape and politics. A poetically charged text prowls the isolation and heartbreak of a girl growing up in Iceland in the post-war years, and her later experiences as an immigrant in North America. What emerges is a widening mystery of origins in which every word becomes a clue to the unspoken.
The Rose Garden
Combining the genres of fiction, memoir, the familiar essay and theoretical speculation, The Rose Garden forms an unusual synthesis. The protagonist and narrator is a Canadian literary scholar on study leave in Germany. While there, her involvement with her books on the one hand and a love relationship on the other creates a surprising blend of life and fiction. Her readings in classical European texts forefront the question of a woman reader's response. Her involvement with her lover makes her wonder why there is so little difference between life and literature on the level of experience. This is an uncommon book that defies traditional rules of style and genre and provokes the question of what meaning literary works actually have in our lives.
Redefining the Subject
This volume takes up the challenge of Canadian women's writing in its diversity, in order to examine the terms on which subjectivity, in its social, political and literary dimensions, emerges as discourse. Work from writers as diverse as Dionne Brand, Hiromi Goto and Margaret Atwood, among others, are studied both in their specific dimensions and through the collective focus of cultural and textual revision which characterizes Canadian writing in the feminine. Current theorizing on the postcolonial imaginary is brought to bear in the interests of forging or unpacking those links which tie the Self to culture. As such, Redefining the Subject sets out to discover the limits of the aesthetic in its encounter with the political: the figures and designs which envisage textual reimaginings as statements of a contemporary Canadian reality.
Stranger at the Door
At the beginning of a new writing project—whether it’s the first page of a new novel or a less ambitious project, writers often experience exhilaration, fear, or dread. For Kristjana Gunnars, the call of a new project is “like someone you don’t know knocking on your door—you either choose to let the person in or not. It’s both exciting and dangerous to start a new manuscript.” This book is an engagement with that “stranger” called writing. Creative or imaginative writing is a complex process that involves more than intellect alone. Writers make use of everything: their sensibilities, history, culture, knowledge, experience, education, and even their biology. These essays se...
Night Train to Nykøbing
As ever, Kristjana Gunnars writes a textured palimpsest of pain and joy, of feeling and knowing entwined with the desperations of everyday life.
The Substance of Forgetting
"In the tradition of Marguerite Duras, Gunnars explores a multi-layered romance-between East and West, rural and urban, silence and words."--Amazon.ca.
Ruins of the Heart
Gunnars tackles the spiritual and profane mysteries of dailiness, longing and desire, and the paradoxes of love and devotion in this world.
