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"That night, the rain poured and wind howled, raindrops crashing like solid objects onto the ground and water. A passenger boat from Ban Phaen to Bangkok, packed with people, pressed on through the current amidst the rising clamor of the rain and storm. . . ." The boat capsizes in the torrent, and washed up on the shore the next morning are the sodden bodies of the many passengers who lost their lives. Thus begins M. R. Kukrit Pramoj's classic novel set in the Thailand of the early 1950s and first published in 1954. The life of each passenger who perished is retraced from birth, revealing a complex web of experiences and emotions. M. R. Kukrit Pramoj (1911Ð1995) wasa writer of renown, politician, prime minister, intellectual, journalist, and classical dancer. He wrote more than 20 books, including the historical novel Four Reigns.
Translated by Tulachandra Four Reigns (Si Phaendin), M.R. Kukrit’s longest and best-known novel, is the rich and entertaining story of the life of Phloi and her family, both inside and outside palace walls. The story unfolds during the reign of King Chulalongkorn (King Rama V) in the closing years of the 1800s, ending in the mid 1940s with the death of his grandson, King Ananda Mahidol (King Rama VIII). Over a span of four reigns, we see the lives of minor courtiers under the absolute monarchy and watch the huge social and political changes that Thailand experienced as it opened itself up to international contact. We follow the characters against the historical backdrops of the 1932 revolu...
A passenger boat sailing from Ban Phaen to Bangkok, packed with people, encounters a terrible storm. The boat capsizes and washed up on the shore the next morning are the bodies of the many passengers who lost their lives. The life of each passenger who perished is retraced from birth, revealing a complex web of experiences and emotions in a serries of short stories.
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In 1975, M.R. Kurkrit Pramoj met Mao Zedong, marking the eventual establishment of diplomatic relations and a discursive rupture with the previous narrative of Communist powers as an existential threat. This book critically interrogates the birth of bamboo (bending with the wind) diplomacy and the politics of Thai détente with Russia and China in the long 1970s (1968–80). By 1968, Thailand was encountering discursive anxiety amid the prospect of American retrenchment from the Indo-Pacific region. As such, Thailand developed a new discourse of détente to make sense of the rapidly changing world politics and replace the hegemonic discourse of anticommunism. By doing so, it created a politi...
One of Thailand’s best-known and most highly regarded novels, portraying the romance of a young Thai man and a married older woman ‘In that tranquil and apparently very ordinary picture, I see everything unfolding. Every scene, every part, from the beginning to the final act’ Nopporn, a Thai student studying in Japan, is tasked with hosting a distinguished old family friend and his new wife, the beautiful, aristocratic Kirati. Despite their difference in age and status, and the social constraints of the day, Nopporn and Kirati are inexorably drawn to each other, and love starts to bloom. A stirring portrayal of youthful romantic obsession, and later attempts to come to terms with the frailty of passionate feelings, Behind the Painting also shows the constrained lives of many women of the time. First published in 1937, it is one of Thailand’s best-known and most beloved novels. Translated by David Smyth
The first essay arise out of the crucible of Thailand's social upheaval and student protest movement in the early 1970's, when Thai literacy criticism was nascent. They argue that the tale shows a society without principle, and the characters reveal the latent aggression that resides universally in the human psyche. The remaining three essays originated a generation or more later. The third essay contends that the tale was designed to teach Buddhist morality by employing the Three Worlds cosmography and the law of karma. The fourth essay analyzes the forest as a metaphorical space for the recovery of selfhood, and the final essay examines the tale as a manual that gives crucial guidance on power and politics--
The national bestseller by the award-winning Thai American author. “A brilliant collection . . . brimming with sharp-clawed survival lessons” (Los Angeles Times). Set in contemporary Thailand, these are generous, radiant tales of family bonds, youthful romance, generational conflicts, and cultural shiftings beneath the glossy surface of a warm, Edenic setting. Written with exceptional acuity, grace, and sophistication, the stories present a nation far removed from its exoticized stereotypes. In the prize-winning opening story “Farangs,” the son of a beachside motel owner commits the cardinal sin of falling for a pretty American tourist. In the novella, “Cockfighter,” a young girl...
This pioneering insight into contemporary Thai folk culture delves beyond the traditional Thai icons to reveal the casual, everyday expressions of Thainess that so delight and puzzle. From floral truck bolts and taxi altars to buffalo cart furniture and