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The Lost Café Schindler
'Rigorously researched, The Lost Café Schindler successfully weaves together a compelling and at times deeply moving memoir and family history that also chronicles the wider story of the Jews of the Austro-Hungarian Empire... It distinguishes itself through its combination of mystery and reconciliation.' -- The Times T2 'In tilling the past Meriel has uncovered the most fascinating - and devastating - family history. The Lost Cafe Schindler is not just a genealogical exploration, though; it sets out the wider experiences of the Jewish population of the Austro-Hungarian empire, weaving in the story of how antisemitism took root' -- Sunday Times 'An impressively researched account of Jewish l...
Sadko
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Jewish Identities
Jewish Identities mounts a formidable challenge to prevailing essentialist assumptions about "Jewish music," which maintain that ethnic groups, nations, or religious communities possess an essence that must manifest itself in art created by members of that group. Klára Móricz scrutinizes concepts of Jewish identity and reorders ideas about twentieth-century "Jewish music" in three case studies: first, Russian Jewish composers of the first two decades of the twentieth century; second, the Swiss American Ernest Bloch; and third, Arnold Schoenberg. Examining these composers in the context of emerging Jewish nationalism, widespread racial theories, and utopian tendencies in modernist art and twentieth-century politics, Móricz describes a trajectory from paradigmatic nationalist techniques, through assumptions about the unintended presence of racial essences, to an abstract notion of Judaism.
