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The Responsories and Versicles of the Latin Office of the Dead
It may seem astonishing to some that there is a need for reprinting a 14-year old dissertation, but the fact is that the book is exactly as relevant to scholars today as it was in 1993. It still represents the world's largest database to compare the responsories of the Office of the Dead in more than 2,000 sources. Since the order of these responsories differed from church to church, this order can be used to localize medieval and Renaissance liturgical books. The book is therefore an absolute necessity for everyone who conducts research on the area it covers. Put differently, the book reveals 'the geography of the concept of death' in Europe from the 9th-16th centuries from a theological, liturgical, ecclesiastical, musical and political perspective - seen from one particular liturgical office: The Office of the Dead.
Det kongelige Biblioteks Håndskriftafdeling
Text in Danish. User's manual for the collection of letters and manuscripts and the archives of private individuals held by The Royal Library in Copenhagen. The book covers more than 11,000 acquisitions from The Manuscript Department. Includes an English Summary.
National Union Catalog
Includes entries for maps and atlases.
Umisteligt
In January 2007 the Director general of The Royal Library in Copenhagen, Erland Kolding Nielsen turned 60. "Umisteligt" is the festschrift released to mark the occasion. Erland Kolding Nielsen is known for his active participation in the public debate about the protection and preservation of the cultural heritage and the necessity of international co-operation in these matters. He was also instrumental in the planning and building of the Royal Library's new building, known as The Black Diamond. The 35 articles in this book have a wide range: From the Bronze-Age to the Internet, from Peru to Nizhny Novgorod, from Don Quil to the Danish treasury of song, from the worship of saints to the Kulturkampf. However they all have the same point of interception: the manifold Danish cultural heritage and the management of it through time.
A Conspectus of Scribal Hands Writing English, 700-1100
Comprehensive, annotated list of over a thousand Anglo-Saxon scribal hands, linking them to place and manuscript. This book documents the entire corpus of scribal hands writing in the vernacular from the eighth century to post-Conquest. More than a thousand hands are listed, together with details of their work, which ranges from a few words or sentences in marginalia to multiple volumes; glosses and marginalia are included, together with Latin charters containing some English. Overall, it offers a comprehensive view of the scale of literacy in early medieval England, locating the familiar material produced in Alfred's day in a significantly wider context, and providing an invaluable starting point for a variety of manuscript studies.
Divine Diagrams
After the Reformation the successful painter Paul Lautensack (1477/78-1558) dedicated himself to spreading revelations on the nature of God. Lautensack was besides Dürer the only German artist who wrote against the iconoclasts, and he believed that he as a painter could explain the images of Revelation better than theologians like Luther. He presented his insights in hundreds of highly sophisticated diagrams that display a wide range of material accessible to an urban craftsman, from the vernacular Bible to calendar illustrations. This study is the first monograph on this extraordinary man, it presents a corpus of his surviving works, analyzes his peculiar theology of the image and locates the elements of his diagrams in the visual world of the Reformation period.
Rytterkongen
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Ottaviano Petrucci
The innovative work in design, typography, and content of music printer and publisher Ottaviano Petrucci (1446-1539) became the standard by which all following printers measured themselves. He created the defining moment when Italy took the lead in book printing in the Renaissance. This book is a bibliographic study of the output of the Petrucci presses, laying emphasis on the professional career of Petrucci. It includes a detailed study of technique and house-style, examining the market forces that drove Petrucci's publishing decisions, and provides a detailed catalogue of editions and copies. Stanley Boorman has made a study of the output of Petrucci's presses for 25 years. This long-awaited contribution to the field of bibliography will have an audience both in music and in rare book bibliography.
