Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A Grammar of Orkhon Turkic
First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
A Grammar of Old Turkic
Old Turkic is the earliest, directly attested Turkic language. This original work describes the grammar of Old Turkic. The language is documented in inscriptions in the 'runic' script in Mongolia and the Yenisey basin, from the seventh to the tenth century; in Uygur manuscripts from Chinese Turkestan in Uygur, and in runic and other scripts (comprising religious – mostly Buddhist –, legal, literary, medical, folkloric, astrological and personal material), from the ninth to the thirteenth century; and in eleventh-century Qarakhanid texts, mostly in Arabic writing. All aspects of Old Turkic are dealt with: phonology, subphonemic phenomena and morphophonology, and the way these are reflected in the various scripts, derivational and inflectional morphology, grammatical categories, word classes, syntax, textual and extra-textual reference and other means of coherence, lexical fields, discourse types, phraseology as well as stylistic, dialect and diachronic variation.
On Heroes
None
The Portable Coleridge
Chronically impoverished, tormented by self-doubt and a crippling addiction to opium, Samuel Taylor Coleridge (1772-1834) still managed to become one of the most versatile and influential forces of English romanticism. The Portable Coleridge faithfully represents all facets of this complex, haunted genius, including his poems, "The Rime of the Ancient Mariner," "Christabel," "Kubla Khan," and "Dejection"; letters to friends and colleagues such as Robert Southey and William Godwin; selections from Notebooks and Table Talk; political and philisophical writings; literary criticism; and extensive excerpts from Biographia Literaria, in which Coleridge interweaves aesthetics, metaphysics, and disarmingly candid autobiography. Edited and with an introduction by the critic I.A. Richards, this voulme vastly expands our understanding of a writer of visionary insight and protean range.
