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As We Wait
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Path in Between
- The book is the visual record of the author's process of recovering memories with clues found on paths his father used to take and places his family used to visitWhen he attempted to trace memories of his late father, Hajime Kimura realized that most of them were missing. Because of this, his photos were shot with a half-framed camera. Each image consists of two shots divided by a thick black border. The continuous sequence of the images seems to repeatedly suggest the photographer's impossible attempt at recovering a lost past. One can come close to faded memories, but cannot reconstruct them perfectly.
Unto Dust
- Showcases over 40 of Greg Miller's portraits of workers, business people, tourists and other New Yorkers on the first day of Lent made over the course of two decades- Tradition in contemporary NYC- Limited to 500 copiesOn a cool February day, 20 years ago, Greg Miller asked a New Yorker why they were wearing ashes on their forehead. Fascinated by the juxtaposition of the ancient ritual against the backdrop of contemporary New York City, Miller began documenting Ash Wednesday every year using his large format 8-by-10 inch view camera. Unto Dust showcases over 40 of Miller's portraits of workers, business people, tourists and other New Yorkers on the first day of Lent - made over the course of two decades.
Ultimo Domicilio
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Oblique Lines
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Edges of Time
- Curated by Larry Fink - First edition limited to 500 copies All things are intimate for a curious eye, as each of these images presented have clues to an inner world the world of Felicia's eye and the world of those whom she perceives. We are privileged to be gifted with her keen visions, as they speak of places where most do not go. It suggests an eternal bohemia now almost gone, but fixed by image.
Exit Pleasure
- Text by Larry Fink- Includes previously unpublished photographs- First edition limited to 500 copiesLarry Fink met Cobo on Facebook, not him, but his images flooded the airwaves. Obsessive, dark, full of white heat, and grey smoke. Layers of lace, deeper levels of irregular ritualistic pain. It perplexed me this flow-on voyeuristic event. Who could this guy be? What is he made of? There was enough inventive poetic distance in the work that it resonated outside the ordinary boundaries of the prurient. This was no sex fiend, nor a guy who was looking for a hook up, hung over. This was work which was drawn in to its subject by blood-letting magnets, cleansing leeches, not to mention a certain odd classism. It was informed by art, but art was not the point, ritual was. The incense was sour, the flesh untouched by desire.
“L'”artiere
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“L'”Artiere Udinese
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Murmurs at Every Turn
Book comprises chiefly the photographic work of Raymond Moore.
