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No Prince
Zepp Hunt wasn't the king of Dayton high school. He was the top of the food chain. And I was next in line to be dragged into the lion's den. At least that's what he thought...Good girls wanted to tame him. Bad girls wanted to be tainted by him. Everyone bowed down to him. And me?I hated Zeppelin Hunt with every fiber of my being.Which was why I stayed away from the arrogant bad boy with tattoos and a rap sheet.Until I couldn't.Until we traded favors, and I owed him three months of my life. I never thought I would end up in his bed, and when I did, I had to remind myself that he hated me as much as I hated him.Until I didn't.Zepp Hunt was no prince, and I absolutely refused to be his damsel in distress...
Hate Me
I'm a businessman. A cartel boss. She’s collateral. I have no interest in her beyond keeping her alive for the man who now owns her. And yet…I’m fascinated by the little Russian. There is no room for weakness in my world, but it appears the delicate rose has steel petals. I’m willing to bleed for a willing touch, a trusting glance… A broken little bird. The big bad wolf. A love that could heal even the deepest scars. Hate me or hold me?
Bad
True power is never held by good men, only the most perfect of villains. And she and I are both villains... I stole her, and she's so very angry. The cartel princess doesn't like being a pretty little pawn. She fights me when she should fear me. But oh, how her defiance excites me. She would kill me if she could, and I'd ruin her if I had an ounce less control. What a twisted game we play with sweet threats and cruel promises. I crave her madness in the most depraved ways because I know she'll be so beautiful when she bleeds. A queen who could set the world on fire and a king who would call it rain. Two very bad people who want very bad things are never safe together. Some love stories have no heroes.
Have Me
I’m lost. Cast adrift. Without purpose. He’s broken. Angry. Grieving. Together we were strong. Apart we are driven by nothing but the mindless need for revenge. Hatred can change a person, warping them until they’re nothing but a mangled, twisted version of themselves. And love—well, sometimes love isn’t enough. Is it? Love. Loss. War. Two people with nothing to lose except each other. To have and to hold?
Loathe Me
My business is death. My place in the world is a straight forward transaction. Orders, discipline. A life for a check. However, I find myself manipulated into protecting mafia princess, Adelina Ricci. She should just be a job, so why am I willing to risk everything for her? A lethal knight. A rebellious pawn. An inexplicable bond. Loathe me or love me?
The Pope
I'm a priest, a messenger of God, a good man. At least that's what I would have them all believe. She's a lost lamb, cast adrift from her flock and seeking shelter from the wolves snapping at her heels. She's looking for salvation, protection, forgiveness for her sins. I'm not the man to give it to her. But for the first time in my life, I want to be. Little does she know... For even Satan disguises himself as an angel of light.
Absolution
Raised by criminals, I was molded to fit into a world without morals. And I had never given cared about anything until the night I watched a man drop dead at the feet of my little killer. Everything inside me demanded that I take her, possess her-own her. She called to my depravity, and I called to hers. People like us are monsters, and we shouldn't be worthy of love. But obsession? Now, that's another story...
Kiss Me
Una I’m running. I have more enemies than even I can fight, and a five-million-dollar price tag on my head, all because I helped Nero. The hunter has become the hunted, and now I have a life to protect—an innocent baby. And that suddenly feels like the most important mission I’ve ever had. I’ve never been so invested in surviving, so let them come. I’ll kill them all. Nero I had a plan and it was perfect. She was my queen, my ultimate weapon. She played her part and helped bring me the power I sought above all else, but at what cost? Now she’s all I want, all I need. Una is mine. I will kill anyone who stands between us and burn the world to ash just to keep her. A pending war. A test of survival. A partnership that would see their enemies tremble in their wake. A ruthless king. A savage queen. Kill me or kiss me?
Kiss Of Death
Una I'm an assassin of the Bratva, raised and trained to be strong, to be a cold killer. But even I have a weakness, and Nero Verdi will regret using it against me. He's my enemy, so why do I get such a thrill when his fingers wrap around my throat? Why am I addicted to the brutality of his touch? Nero They call her The Kiss of Death, and I have the one thing she wants above all else. She's nothing more than a weapon, a pawn to put me at the top of the New York mafia, and yet I find myself wanting to dance with death, to possess her. I crave the kiss of her blade just as much as her lips. And that might just get me killed. A game of power. An obsession that would see the world burn at their feet. A bloodied king. A broken queen. Kill me or kiss me? "Kill Me is PERFECTLY dark and delicious! Nero and Una are two strong, badass characters that you can't help but want more of. LP has a way with words that draws you straight into their twisted world and captures you. Definitely a 5 star read!" - Victoria Ashley, New York Times and USA Today bestselling author. Kiss Of Death is the complete collection of the bestselling, dark mafia Kiss Of Death series.
Screen Acting
While not everyone would agree with Alfred Hitchcock's notorious remark that 'actors are cattle', there is little understanding of the work film actors do. Yet audience enthusiasm for, or dislike of, actors and their style of performance is a crucial part of the film-going experience. Screen Acting discusses the development of film acting, from the stylisation of the silent era, through the naturalism of Lee Strasberg's 'Method', to Mike Leigh's use of improvisation. The contributors to this innovative volume explore the philosophies which have influenced acting in the movies and analyse the styles and techniques of individual filmmakers and performers, including Bette Davis, James Mason, Susan Sarandon and Morgan Freeman. There are also interviews with working actors: Ian Richardson discusses the relationship between theatre, film and television acting; Claire Rushbrook and Ron Cook discuss theri work with Mike Leigh, and Helen Shaver discusses her work with the critic Susan Knobloch.
