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The Kitchen-Dweller's Testimony
"Winner of the Sillerman First Book Prize for African Poets, The Kitchen-Dweller's Testimony is based on a Somali insult: jiko muufo. Translated literally as "kitchen flatbread," the insult criticizes those women who love domestic work so much that they happily watch bread rise. This collection of poems examines the varied ways women navigate gender roles, while examining praise for success within roles where imagination about female ability is limited. The Kitchen-Dweller's Testimony is about love and longing, divorce, distilled desire, and all the ways we injure ourselves and one another. "--
Exiles of Eden
Poems steeped in the Somali tradition refract the streets of Ferguson, the halls of Guantanamo, and the fields near Abu Ghraib through the myth of Adam and Eve to ask: What does it mean to be a refugee?
Fairytales for Lost Children
FAIRYTALES FOR LOST CHILDREN is narrated by people constantly on the verge of self-revelation. These characters - young, gay and lesbian Somalis - must navigate the complexities of family, identity and the immigrant experience as they tumble towards freedom. Set in Kenya, Somalia and South London, these stories are imbued with pathos, passion and linguistic playfulness, marking the arrival of a singular new voice in contemporary fiction. Praise for FAIRYTALES FOR LOST CHILDREN: 'Fantastic writing. I am most highly impressed. I've read some of the stories more than once and saw in each of them plenty of talent everywhere - in every sinew and vein.' - NURUDDIN FARAH 'There is nothing more humb...
The January Children
The January Children depicts displacement and longing while also questioning accepted truths about geography, history, nationhood, and home. The poems mythologize family histories until they break open, using them to explore aspects of Sudan's history of colonial occupation, dictatorship, and diaspora. Several of the poems speak to the late Egyptian singer Abdelhalim Hafez, who addressed many of his songs to the asmarani--an Arabic term of endearment for a brown-skinned or dark-skinned person. Elhillo explores Arabness and Africanness and the tensions generated by a hyphenated identity in those two worlds.
The Kitchen-Dweller's Testimony
Winner of the Sillerman First Book Prize for African Poets, The Kitchen-Dweller’s Testimony asks: Whose testimony is valid? Whose testimony is worth recording? Osman’s speakers, who are almost always women, assert and reassert in an attempt to establish authority, often through persistent questioning. Specters of race, displacement, and colonialism are often present in her work, providing momentum for speakers to reach beyond their primary, apparent dimensions and better communicate. The Kitchen-Dweller’s Testimony is about love and longing, divorce, distilled desire, and all the ways we injure ourselves and one another.
The Man They Wanted Me to Be
This provocative, “critically important” memoir of working-class boyhood in rural Indiana offers a searing cultural analysis of toxic masculinity in American culture (NPR). As progressivism changes American society, and globalism shifts labor away from traditional manufacturing, the roles that have been prescribed to men since the Industrial Revolution have been rendered obsolete. Donald Trump's campaign successfully leveraged male resentment and entitlement, and now, with Trump as president and the rise of the #MeToo movement, it’s clear that our current definitions of masculinity are outdated and even dangerous. Deeply personal and thoroughly researched, the author of The People Are ...
The Renunciations
An extraordinary collection of endurance and transformation by the award-winning author of Bestiary The Renunciations is a book of resilience, survival, and the journey to radically shift one’s sense of self in the face of trauma. Moving between a childhood marked by love and abuse and the breaking marriage of that adult child, Donika Kelly charts memory and the body as landscapes to be traversed and tended. These poems construct life rafts and sanctuaries even in their most devastating confrontations with what a person can bear, with how families harm themselves. With the companionship of “the oracle”—an observer of memory who knows how each close call with oblivion ends—the act of remembrance becomes curative, and personal mythologies give way to a future defined less by wounds than by possibility. In this gorgeous and heartrending second collection, we find the home one builds inside oneself after reckoning with a legacy of trauma—a home whose construction starts “with a razing.”
The Promise of Hope
Kofi Awoonor, one of Ghana’s most accomplished poets, had for almost half a century committed himself to teaching, political engagement, and the literary arts. The one constant that guided and shaped his many occupations and roles in life was poetry. The Promise of Hope is a beautifully edited collection of some of Awoonor’s most arresting work spanning almost fifty years. Selected and edited by Awoonor’s friend and colleague Kofi Anyidoho, himself a prominent poet and academic in Ghana, The Promise of Hope contains much of Awoonor’s most recent unpublished poetry, along with many of his anthologized and classic poems. This engaging volume serves as a fitting contribution to the inaugural cohort of books in the African Poetry Book Series.
The Body Family
This visceral and revelatory poetry collection tells the story of a family’s journey to flee the murderous reign of Uganda’s Idi Amin only to land in a racist American landscape. Wabuke digs deeply into a personal and ancestral history to bring these poems to life, articulating what it means to live in a Black female body navigating a diaspora haunted by British colonization and American enslavement.
Simulacra
Winner of the 2016 Yale Series of Younger Poets prize A fresh and rebellious poetic voice, Airea D. Matthews debuts in the acclaimed series that showcases the work of exciting and innovative young American poets. Matthews's superb collection explores the topic of want and desire with power, insight, and intense emotion. Her poems cross historical boundaries and speak emphatically from a racialized America, where the trajectories of joy and exploitation, striving and thwarting, violence and celebration are constrained by differentials of privilege and contemporary modes of communication. In his foreword, series judge Carl Phillips calls this book "rollicking, destabilizing, at once intellectually sly and piercing and finally poignant." This is poetry that breaks new literary ground, inspiring readers to think differently about what poems can and should do in a new media society where imaginations are laid bare and there is no thought too provocative to send out into the world.
