Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
David Inshaw
One of the founding members of the Brotherhood of Ruralists, David Inshaw is a key figure in 21st century British art. This edition contains updated text from the hardback edition.
Allen Jones Works
Top-shelf magazine meets fine art; high-heeled, fetishistic women parade through a world of Matissean colour. Allen Jones is one of the most controversial figures in the art world. Tackling the issues of gender and power raised by his work, and including images of Jones's source material and his own photography, this is the first publication to survey his career. As well as investigating his fine-art work, this publication looks at other aspects of his career - his work for the theatre, ballet and film - and reveals an artist who, having been influenced by the world of fashion, has seen his work appropriated by the fashion world -- Dustjacket.
John Nash
Paperback edition of the first full-length monograph to deal with all aspects of the career of John Nash.
A is a Critic
This is a collection of pieces by Andrew Lambirth, originally published in The Spectator, reviewing and exploring various artists and art exhibitions.
LS Lowry
L S Lowry is one of Britain's best-loved artists. In "LS Lowry: Conversation Pieces", gallery owner Andras Kalman tells of his long friendship with the man and his experiences as a dealer in Lowry's work. An Hungarian émigré, Kalman opened his first gallery in Manchester in 1949 - an establishment that soon attracted a visit from the great Mancunian artist. Lowry not only bought a work on display but immediately agreed that Kalman become a dealer in his work. The two men became firm friends and their relationship continued until Lowry's death. Now in his eighties, Kalman recalls Lowry in conversation with the writer and critic Andrew Lambirth, drawing a vivid picture of the private man. A sensitive, somewhat reclusive character, Lowry showed himself only to a handful of intimates, and Kalman gives a sympathetic account of his client and friend, drawing attention to the seldom-recognised breadth of his work. Illustrated by 80 paintings, Lowry's best-known works are displayed, along with lesser-known works of equal boldness and originality. A remarkable insight into the life and unique talent of a great British artist.
William Gear
William Gear (1915-97) was an abstract painter with an international reputation, Scottish by birth but broadly European in sensibility, and one of only two British artists to be part of the CoBrA Group. (CoBrA was Europe's answer to American Abstract Expressionism - a short-lived but explosive expressionist movement.) Living in Paris in the late 1940s, Gear was part of the post-war surge towards abstraction, but returned to live in the UK in 1950. He shot to fame with his controversial Autumn Landscape, painted for the Festival of Britain in 1951, and became one of the leading innovators of the 1950s' art world.
Patrick George
A monograph on British artist, Patrick George
The Life of Bryan
Bryan Robertson (1925-2002) was the greatest director the Tate Gallery never had. In 1952, at the age of 27, and against formidable competition (which included David Sylvester and Lawrence Gowing), he became Director of the Whitechapel Gallery, a post he held until 1969. While there he effected a revolution in the British museum world, bringing the more innovative and radical American and European contemporary artists to the UK, as well as programming a series of exhibitions devoted to British artists in mid-career. He was the first to show Pollock, Rothko, Rauschenberg and Johns in England, matching this with historical re-evaluations of Turner, Stubbs, Bellotto and Rowlandson. Among Europe...
John Nash
John Nash (1893-1977) is the quintessential 20th century painter of the English countryside, but his remarkable achievement has for too long been overshadowed by the more public persona of his older brother Paul. Yet when we want to summon up an image of an idyllic summer's day, it is John's 1919 painting The Cornfield that we remember, not one of Paul's. Nash began as a watercolour painter, and the medium remained his mainstay throughout a long career. He also worked regularly in oil paint, and his two great World War I paintings, Oppy Wood and Over the Top, both in the Imperial War Museum, are early examples of his success with this very different technique. An immensely skilled draughtsman, Nash turned this linear expertise to good effect in his wood engravings. He also excelled at comic drawing. A dedicated gardener and plantsman, his botanical studies are of real quality. As Andrew Lambirth remarks, "In Nash's best work the vision is clear, the eye sharp and the sense of pictorial design difficult to fault". --
Creativity and Writing
This accessible yet authoritative book considers and encourages flexible, playful and innovative practices in the teaching of writing, and shows how certain practices can develop children's creative and linguistic potential and their overall skill
