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Riotously fun and uplifting, a coming-of-age story about difficult friendships, delicious feasts, and taking control of your body and your happiness - a richly indulgent and life-affirming novel from one of the most exciting new voices in literature WINNER of the GUARDIAN 'NOT THE BOOKER' PRIZE 2019 Selected in BEST BOOKS OF THE YEAR - Vogue, TIME, Vulture, Woman and Home 'Subversive, radical, written with total glee and rollicking sense of unlimited possibility. Williams is one to watch' Stylist If you feed a starving woman, what will she grow into? Twenty-nine year old Roberta has spent her whole life hungry. So she invents Supper Club: a secret society for women sick of bad men and bad se...
"Dance like nobody gives a crap. Drink like you don't have a family to go home to. Love because what else is the point." So says one of the characters in Lara Williams' extraordinary debut story collection. Treats is a break-up album of tales covering relationships, the tyranny of choice, and self navigation. This fresh, beguiling new voice paints a portrait of contemporary adulthood, balancing wry humour with a pervading sense of alienation in the digital era. Williams' characters struggle with how to negotiate intimacy within relationships and isolation when single, the pitfalls and indignities of dating, dragged down by dissatisfaction. Meanwhile the dilemmas of life play out, including a...
From the prize-winning author of Supper Club comes a wickedly funny and slyly poignant new satire on modern life - for fans of My Year of Rest and Relaxation, Convenience Store Woman, and J. G. Ballard's High Rise 'This book is a serious vibe' Cosmopolitan 'Lara Williams is the queen of smart modern satire. I could read her all day' Emma Jane Unsworth Meet Ingrid. She works on a gargantuan luxury cruise liner, where she spends her days reorganizing the merchandise and waiting for long-term guests to drop dead in the changing rooms. On her days off, she disembarks from the ship and gets blind drunk on whatever the local alcohol is. It's not a bad life. And it distracts her from thinking about...
“Lara Williams makes a bold debut with this razor-sharp, magnificently humane story collection.” —Entertainment Weekly She finds herself single, twenty-nine, partially-employed, and about a half a stone overweight. Roller dexter of eligible friends rattling thin. Thirties breathing down her neck like an inappropriate uncle. She jogs. Looks good in turquoise. Finds herself punctuating gas “better out than in!” patting her stomach like a department store Santa. This is who I am, she thinks. The women in Lara Williams’ debut story collection, A Selfie as Big as the Ritz, navigate the tumultuous interval between early twenties and middle age. In the title story, a relationship implod...
SOMETHING HAS FALLEN AWAY. We have lost a part of ourselves, our history, what we once were. That something, when we encounter it again, look it straight in the eyes, disgusts us, makes us retch. This is the horror of the abject. Following the success of Comma’s award-winning New Uncanny anthology, The New Abject invites leading authors to respond to two parallel theories of the abject – Julia Kristeva’s theory of the psychoanalytic, intimate abject, and Georges Bataille’s societal equivalent – with visceral stories of modern unease. As we become ever-more isolated by social media bubbles, or the demands for social distancing, our moral gag-reflex is increasingly sensitised, and our ability to tolerate difference, or ‘the other’, atrophies. Like all good horror writing, these stories remind us that exposure to what unsettles us, even in small doses, is always better than pretending it doesn’t exist. After all, we can never be wholly free of that which belongs to us.
Lara gives tender guidance to any woman walking the unexpected paths of betrayal. She teaches and reminds readers that we are not in control, God is.
Being a good mom isn't about doing everything right to create a set of perfect trophy children--though every mom has felt the pressure to do just that and to do it all on her own. To ask for help feels like defeat. Yet when we try to do it all by our own strength, we end up depleted, lonely, and ineffective. Heather MacFadyen wants you to know that you are not meant to go it alone. Sharing her most vulnerable, hard mom moments, she shows how moms can be empowered by God, supported by others, and connected with their children. With encouragement and insight, she helps you foster the key relationships you need to be the mom you want to be. Whether you work or stay home, whether you have teenagers or babes in arms, you'll find here a compassionate friend who wants the best--not just for your kids but for you.
"The Hell With A Gang" is a story of survival in the ruthless Los Angeles streets where many have suffered in some form at the hand of gang culture. Lara's collaborating technique transform some of the most horrendous real-life events into a quest to deter and denounce gang involvement by demonstrating how one man's status, devotion, and street gang fame was all a hoax, prompting the scream, "The Hell With A Gang."
From the author of Winter in Sokcho, which won the 2021 National Book Award for Translated Literature. The days are beginning to draw in. The sky is dark by seven in the evening. I lie on the floor and gaze out of the window. Women's calves, men's shoes, heels trodden down by the weight of bodies borne for too long. It is summer in Tokyo. Claire finds herself dividing her time between tutoring twelve-year-old Mieko in an apartment in an abandoned hotel and lying on the floor at her grandparents: daydreaming, playing Tetris, and listening to the sounds from the street above. The heat rises; the days slip by. The plan is for Claire to visit Korea with her grandparents. They fled the civil war ...
Nothing can stand in the way of love, not even death. Fifteen-year-old Maggie is in foster care following the death of her mother and her grandmother's slip into dementia. When Ryder saves her life, she can't help but fall in love with him. The only problem is that he has been dead for five years... Unsentimental, passionate and immensely moving, The Wanderer takes a fresh look at first love and growing up.