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When Professor Giles Dawson, historian of magic and the great illusionists, visits the Circus Tropicana, wintering at a former RAF airfield in Devon, he is not there to be entertained. He is there at the request of the circus boss, Ramon Mordomo.Ramon Mordomo has experienced a series of disasters at the circus, which appear to be the work of someone trying to force him to give up the circus he loves – making him run the Gauntlet of Fear.Once Giles has been introduced to the list of suspects, he witnesses a number of so-called accidents – which any one of the suspects could have caused. He then receives some cryptic messages.... which only add more mystery to the puzzle. Things turn deadl...
This book by leadership and sustainability experts Giles Hutchins and Laura Storm provides an exciting and comprehensive framework for building regenerative life-affirming businesses. It offers a multitude of business cases, fascinating examples from nature's living systems, insights from the front-line pioneers and tools and techniques for leaders to succeed and thrive in the 21st century. Regenerative Leadership draws inspiration from pioneering thinking within biomimicry, circular economy, adult developmental psychology, anthropology, biophilia, sociology, complexity theory and next-stage leadership development. It connects the dots between these fields through a powerful framework that e...
Giles, Professor of Magic and Illusion, is invited to join the cast during their rehearsals at the oldest working theatre in Scotland. ‘The Cinderella Murders’, destined to become a West End hit needs a ‘wow factor’ and Giles is the man to create illusions which will mesmerize and delight audiences. But the rehearsals themselves are dogged by Illusions, misdirections, tricks and random inexplicable happenings.
INSTANT NEW YORK TIMES BESTSELLER From the bestselling author of Cultish and host of the podcast Sounds Like a Cult, a delicious blend of cultural criticism and personal narrative that explores our cognitive biases and the power, disadvantages, and highlights of magical thinking. Utilizing the linguistic insights of her “witty and brilliant” (Blyth Roberson, author of America the Beautiful?) first book Wordslut and the sociological explorations of her breakout hit Cultish, Amanda Montell now turns her erudite eye to the inner workings of the human mind and its biases in her most personal and electrifying work yet. “Magical thinking” can be broadly defined as the belief that one’s i...
"The purpose of the Yearbook of Experts is to provide bona fide interview sources to working members of the news media"--Page 2
In the year 1309, Nicholas of Lyra, an important Franciscan Bible commentator, put forth a question at the University of Paris, asking whether it was possible to prove the advent of Christ from scriptures received by the Jews. This question reflects the challenges he faced as a Christian exegete determined to value Jewish literature during an era of increasing hostility toward Jews in western Europe. Nicholas's literal commentary on the Bible became one of the most widely copied and disseminated of all medieval Bible commentaries. Jewish commentary was, as a result, more widely read in Latin Christendom than ever before, while at the same moment Jews were being pushed farther and farther to ...
Layers / by Heather Hyde Minor -- Lost and found / by Carolyn Yerkes -- Pages / by Carolyn Yerkes -- Dedicated and sent / by Heather Hyde Minor -- Bound / by Heather Hyde Minor -- Sold / by Carolyn Yerkes.
This beautiful and important book highlights the collection of European drawings at the Yale University Art Gallery, one of America's premier university museums. From intimate studies to exquisite finished compositions, this selection of works documents the history of European drawing practices beginning with late-medieval model books and progressing to the verge of the modern period. The accompanying text--written by a team of scholars--offers a unique introduction to various critical and technical aspects of the study of master drawings, brought to life through drawings from a range of national schools and in a variety of media. Among the drawings examined in this handsomely produced volume are an animated pen and ink sketch by Giulio Romano, a pastoral landscape by Claude Lorrain, a forceful and humorous caricature by Guercino, a scene from the epic poem Orlando Furioso by Jean-Honoré Fragonard, and a delicate portrait by Edgar Degas.
This is a critical, annotated, bilingual edition, with introduction, notes, and indices, of the first two of Vives' five dramatic speeches on the theme of the abdication of the late Roman Republican dictator Lucius Cornelius Sulla. These speeches belong among Vives' experiments, in the years 1514-1523, with various imaginative genres, in which he was trying techniques of personal involvement of both himself and the reader in exploration of pressing issues, whether political, ethical, or esthetic. The fundamental theme is the danger of ruling by fear. Sulla's two friends, Fundanus and Fonteius, counsel respectively against and for Sulla's retirement when Rome is full of vengeful survivors of his savage proscriptions.