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Explains the meaning given by diverse cultures in various eras to animals, plants, patterns, man-made objects, and abstract forms.
This collection spans a vast chronology and territory, ranging from Old Kingdom Egypt to modern-day Slovenia and moving geographically from the centres to the peripheries of the Mediterranean and back again, including Antinoë, Calabria, Belgrade, and Paris. While this volume can be situated well within the context of Mediterranean studies, each essay serves as a micro-study that demonstrates one of the many ways in which Mediterranean communities have co-opted, appropriated, and adapted symbols from one another. As a result, this interdisciplinary volume adds something unique to each discipline represented within it (including history, anthropology, art history, literature, and philosophy, among others) while contributing to the greater discourse of Mediterranean studies. Furthermore, the essays collectively illustrate how symbols were distributed widely among Mediterranean communities and, consequently, further a dialogue about what “Mediterranean” might mean. Overall, the original content and its accessibility make the volume valuable to academics, graduate and undergraduate students, and general audiences alike.
A methodological textbook on autoethnography should be easily distinguishable from the standard methods text. Carolyn Ellis, the leading proponent of these methods, does not disappoint. She weaves both methodological advice and her own personal stories into an intriguing narrative about a fictional graduate course she instructs. In it, you learn about her students and their projects and understand the wide array of topics and strategies that fall under the label autoethnography. Through Ellis's interactions with her students, you are given useful strategies for conducting a study, including the need for introspection, the struggles of the budding ethnographic writer, the practical problems in explaining results of this method to outsiders, and the moral and ethical issues that get raised in this intimate form of research. Anyone who has taken or taught a course on ethnography will recognize these issues and appreciate Ellis's humanistic, personal, and literary approach toward incorporating them into her work. A methods text or a novel? The Ethnographic 'I' answers yes to both.
This book approaches the topic of false friends from a theoretical perspective, arguing that false friends carry out a positive role as a cognitive device, mainly in literature and jokes, and suggesting some pragmatic strategies in order to restore the original sense of a text/utterance when a given translator (or a foreign speaker) falls victim to false friends. This theoretical account is successively verified by appealing to texts from the fields of literature, science, philosophy, journalism, and everyday speech.
Laruel Mountain Laruel: the title is a sort of rough palindrome, appropriate for Jake Reinhart's vision, in which time is reflected upon itself and the end is also the beginning (and is also the end). The transient and the enduring are revealed to be one and the same. These photographs - somehow both tender and unsparing - were made in Southwest Pennsylvania, in the Youghiogheny region. One surviving translation has it that "Yough" means four, and "henné" means stream. "I've been along those four streams, and I've seen how they come together," Reinhart says, "losing their specificity yet retaining what is inherent to each - creating something larger and joining places and people that would otherwise appear disjointed and separate." As for the streams, so for the images in Laruel Mountain Laurel: individual pictures exist essentially, while together they bind both space and time - the eternal and the geological brought into a semblance of coherence with the fragile and the human. We see that, despite our best efforts to erase and exploit, the land will ultimately have its own way, and on its own schedule. --
A new examination of the important theme of conversion in seventeenth-century Spanish drama.
It’s kitten season in Cambridge, and the results can be murder. Becca Colwin is coming home from her job at Charm and Cherish when she sees a tortoiseshell kitten run down an alley - leading to a dead body. As a connection between Becca and that corpse is confirmed, Becca comes under suspicion — and is dragged into a cyberware scandal, thanks to her cheating ex, Jeff. The unfaithful computer geek and his high-power investor were working on stealth software designed to record and transmit personal data – a new form of spyware that would be of interest to everyone from the police and security agencies to cybercriminals. And when Jeff’s former friends and colleagues approach her, Becca finds the police aren’t the only ones watching her. Meanwhile, Becca is sheltering the little tortie, who seems to have some powers of her own, much to the dismay of her three resident cats. These powers may help Becca discern friend from foe, solve the murder, and clear her name - with the help of her mystical feline friends.
Historians of science often acknowledge the academic status of astrology in the early modern period, but mostly fail to explore its relation with other disciplines and its role in society. This book seeks to fill that gap. The first part of the book examines the practices and functions that shaped late medieval astrology, and relates how its academic status became discredited, both in northern Italy and the Low Countries. The second part of the book examines various counter-strategies of astrological reform, and shows how these ultimately failed to restore public trust in academic astrology. This book provides a new level of detail to the history of astrology. It also establishes important new links with other fields, like the history of universities, humanism, astronomy, medicine, and instrument building.
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