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When you think of smart animals, what comes to mind? Wise old owls? Problem-solving dolphins? Maybe you have heard of Koko the gorilla, who has mastered one thousand signs in American Sign Language, or Chaser the border collie, who recognizes one thousand names for her stuffed toys. But what about ants building megacolonies or bees reporting to the hive about new nesting sites? What about escape artist octopuses and jellyfish that use their eyes (they have twenty-four!) to navigate? Are insects, spiders, and other animals without backbones considered smart, too? When we think of intelligent creatures, we often think of vertebrates, or animals with spinal columns and relatively large brains. ...
From the controversy in 1995 that heralded Blasted, to her death in February 1999, Sarah Kane built a reputation as an established playwright of international stature. This is the first volume of collected essays by some of the leading scholars in their field, providing a comprehensive approach to the body of work she produced in this brief period. Essays included cover the political, literary, and theatrical identities that have exerted influence on Kane’s work, as well as a discussion and assessment of her innovative theatrical experiments and the performative issues that arise from within the plays. Sarah Kane in Context examines one of the most controversial and influential dramatists who emerged during the "In-Yer Face" generation of British dramatists in the 1990s and provides an essential guide to Kane for students and scholars alike.
Perhaps the closest a human being comes to visiting another planet is to descend into the sea.In Soundings, Kennedy Warne connects his lifelong exploration of the underwater world with a global story of humanity' s relationship with the sea.Drawing on more than 20 years of fieldwork for National Geographic, he shares experiences that range from diving with harp seals under the sea ice of the Gulf of St Lawrence to following the legendary &‘ sardine run' along South Africa' s Wild Coast; from watching turret-building ghost crabs in Arabia to witnessing the impact of dynamite fishing in the Philippines; from swimming with crocodiles in the Okavango Delta to finding seahorses on the Eastern Cape.From a myriad underwater encounters a wider conversation emerges about human engagement with the sea. One question dominates: How can we care for and reconnect with the oceans around us?
Originally published in 1981, Living Shores was for many years the standard reference for marine science students but was also embraced by a popular market for its fascinating insights into marine and coastal habitats and the life they support. After a long absence, this classic has been revived and thoroughly reworked to incorporate the many dramatic changes that our oceans and coasts have undergone over the past few decades. This book is the fi rst of a two volume set, and examines the di_ erent marine ecosystems and how humankind interacts with them. It discusses the evolution of the sea and continents and looks at the ecology of coastal systems, including intertidal zones, beaches, dunes...
Longlisted for the 2017 Walter Scott Prize for Historical Fiction In the 1600s Sara de Vos loses her young daughter suddenly to illness. In her grief, she secretly begins painting a dark landscape of a girl watching a group of ice skaters from the edge of a wood. In 1950s New York, Martijn de Groot has At the Edge of a Wood hanging above his bed. Though it is a dark, peculiar painting, he holds it dear and when it is stolen, he is bereft. In Brooklyn, struggling art student Ellie Shipley accepts a commission to paint an intricate forgery of the painting, not realising that her decision will come to haunt her successful academic career. Gorgeously written, brilliantly conceived and executed, filled with tension and revelation, The Last Painting of Sara de Vos is one of those rare books that stops time as you read it. This is a novel you will want to revisit for the sheer pleasure of watching a master at work.
Après une affaire traumatisante de tueur en série et la disparition de son mari et de son père, l'agente du FBI Lauren Lamb tourne le dos à sa brillante carrière de profileuse et cherche une vie paisible dans la patrie de son père, l'Italie. Mais après une série de meurtres inexpliqués, d’apparence surnaturelle, le Vatican réunit une équipe pour démêler le vrai du faux, qui a besoin de Lauren. Collaborant avec un exorciste, Lauren est aux prises avec sa foi alors qu'elle enquête sur la mort mystérieuse d'une religieuse dans un ancien cloître italien. S’agit-il d’un phénomène paranormal ? Ou un tueur est-il à l'affût ? "Une entrée en matière phénoménale, à dress...
Essential for students of theatre studies, this series of six decadal volumes provides a critical survey and study of the theatre produced in each decade from the 1950s to the present. The 1990s volume freshly evaluates the work of Sarah Kane, Mark Ravenhill, Anthony Neilson and Philip Ridley, besides others.
This accessible, informative and entertaining, book provides the detail and substance that will reward the serious naturalist or the amateur diver
What will become of us? Four people, the sole survivors of a shipwreck, crawl out of the sea. Two of them are masters, and two of them are servants; and all four are about to discover what life feels like when the boot is on the other foot. Marivaux's potent mix of laughter, emotion and theatrical game-playing makes him one of the most surprising and most modern of all classic playwrights. Neil Bartlett has adapted this brilliant comedy of role-swapping and redemption, which premiered at the Lyric Hammersmith in April 2002. Cast size: 4