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Surveys the oral cultural heritage of black Americans as manifested in music, folk tales and heroes, and humor.
In this unusually wide-ranging study, spanning more than a century and covering such diverse forms of expressive culture as Shakespeare, Central Park, symphonies, jazz, art museums, the Marx Brothers, opera, and vaudeville, a leading cultural historian demonstrates how variable and dynamic cultural boundaries have been and how fragile and recent the cultural categories we have learned to accept as natural and eternal are. For most of the nineteenth century, a wide variety of expressive forms—Shakespearean drama, opera, orchestral music, painting and sculpture, as well as the writings of such authors as Dickens and Longfellow—enjoyed both high cultural status and mass popularity. In the n...
This collection of fourteen stimulating, insightful essays by Lawrence Levine, one of our most original American historians, covers American history, historiography, aspects of black culture, and American popular culture during the Great Depression.
Photographs by a team of photographers who traveled across the United States documenting America's experience of the Great Depression and World War II.
Selected letters originally published in The people and the president, c2002 by Beacon Press.
This award–winning study examines American Indian communities in Southern New England between the Revolution and Reconstruction. From 1780–1880, Native Americans lived in the socioeconomic margins. They moved between semiautonomous communities and towns and intermarried extensively with blacks and whites. Drawing from a wealth of primary documentation, Daniel R. Mandell centers his study on ethnic boundaries, particularly how those boundaries were constructed, perceived, and crossed. Mandell analyzes connections and distinctions between Indians and their non-Indian neighbors with regard to labor, landholding, government, and religion; examines how emerging romantic depictions of Indians (living and dead) helped shape a unique New England identity; and looks closely at the causes and results of tribal termination in the region after the Civil War. Shedding new light on regional developments in class, race, and culture, this groundbreaking study is the first to consider all Native Americans throughout southern New England. Winner, 2008 Lawrence W. Levine Award, Organization of American Historians
Defender of the Faith offers a reinterpretation of William Jennings Bryan in his last years as an unchanging Progressive whose roots were deeply embedded in agrarian populism. It changes the standard picture of Bryan in his final years as that of a crusader for social and economic reform sadly transformed into a reactionary champion of anachronistic rural evangelism, cheap moralistic panaceas, and Florida real estate. He pleaded for for progressive labor laws, liberal taxes, government aid to farmers, public ownership of railroads, telegraphs, and telephones, federal development of water resources, minimum wages for labor, and other advanced causes.
When this book first appeared in 1977, it marked a revolution in the understanding of African American history. Contrary to prevailing ideas at the time, which held that African culture disappeared quickly under slavery and that black Americans had little group pride, history, or cohesiveness, the author uncovered a rich and complex African American oral tradition, including songs, proverbs, jokes, folktales, and long narrative poems called toasts--work that dated from before and after emancipation. The fact that these ideas and sources seem so commonplace now is in large part due this book and the scholarship that followed in its wake. A landmark work that was part of the "cultural turn" in American history, this book profoundly influenced an entire generation of historians.
MacArthur Award-winning historians, the Levines have combed through the millions of letters that flooded the White House in response to the Fireside Chats. Grateful, infuriated, proud, and scolding, the letters give testimony to an extraordinary time in our nation's past. Illustrations.
Since the nineteenth century, the distinct tones of kīkā kila, the Hawaiian steel guitar, have defined the island sound. Here historian and steel guitarist John W. Troutman offers the instrument’s definitive history, from its discovery by a young Hawaiian royalist named Joseph Kekuku to its revolutionary influence on American and world music. During the early twentieth century, Hawaiian musicians traveled the globe, from tent shows in the Mississippi Delta, where they shaped the new sounds of country and the blues, to regal theaters and vaudeville stages in New York, Berlin, Kolkata, and beyond. In the process, Hawaiian guitarists recast the role of the guitar in modern life. But as Trou...