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A Parliament of Crows
Always in mourning clothes, secretive, devious, and deadly, the three Mortlow sisters might appear to be long lost members of the Addams Family or characters drawn by Edward Gorey. But their depiction is inspired by the Wardlaw sisters, actual criminals from history. The story of their lives and crimes is the very definition of Southern Gothic.
Motherfucking Sharks
Where I come from, the children sing a song: Oh the motherfucking sharks - Oh they're gonna come to town - Oh they're gonna kill the babies - Oh they're gonna make you drowned in your blood. Oh the motherfucking sharks - Oh they're gonna mince the flesh - They're gonna swim up and surround you - Don't you know you'll never pass the test, it's over. Oh the motherfucking sharks - Oh they don't care about the gods - And they don't care about the families - And they don't care about the cries or tears they're killers. Motherfucking sharks. Motherfucking sharks. Motherfucking sharks. Motherfucking sharks.
The Obese
Alfred Hitchcock's The Birds-with obese people. Nina Gilten works in the fashion industry. She retouches images for Redbook, Teen Vogue, Chic, Marie Claire, and Nylon. Her work involves shaving off hipbones, masking moles, and giving more sheen to the lusterless skin of supermodels. In other words, she makes people beautiful. But when a vengeful houseguest forwards Nina's private correspondence with her boss to popular feminist blog Jezebel, Nina finds herself jobless and ostracized. Then rabid obese people start rampaging on the streets of New York. Thrown together with her ex-boyfriend Chris and his fiance, the gorgeous Molly Sweet, Ferdinand (a male model with a fat fetish), Chantal (also a model), and Dora (the vengeful houseguest who destroyed her career), Nina must fend for her life in a world where the people she hates most are now trying to eat her. Lazy Fascist Press is proud to present The Obese, a bloody satire about body image and America's obesity epidemic, written by Shirley Jackson Award-winner Nick Antosca. Also featuring the bonus story "Predator Bait."
The Fictions of Stephen Graham Jones
Even as Stephen Graham Jones generates a dizzying range of brilliant fiction, his work remains strikingly absent from scholarly conversations about Native and western American literature, owing in part to his unapologetic embrace of popular genres such as horror and science fiction. Steeped in dense narrative references, literary and historical allusions, and experimental postmodern stylings, his fiction informs a broad array of literary and popular conversations. The Fictions of Stephen Graham Jones is the first collection of scholarship on Jones’s ever-expanding oeuvre. The diverse methodologies that inform these essays—from Native American critical theory to poststructuralism and gothic noirism—illuminate the unique complexity of Jones’s narrative worlds while positioning his works within broader conversations in literary studies and popular culture. Jones challenges at every turn the notions of what constitutes Native American literature and what it means to be a Native American writer. Contributing editor Billy J. Stratton foregrounds these heavily contested questions and their ongoing relevance to readers and critics alike.
Anatomy Courses
PRAISE FOR BLAKE BUTLER "An endlessly surprising, funny, and subversive writer." -Publishers Weekly "If the distortion and feedback of Butler's intense riffing is too loud, you may very well be too boring." -Globe and Mail (Toronto) "Try Blake on. Lace him up. Wear him around your neck in wreaths." -Vice "If there's a more thoroughly brilliant and exciting new writer than Blake Butler . . . well, there just isn't." -Dennis Cooper PRAISE FOR SEAN KILPATRICK "This is a book you need. Language reset. Guidebook." -HTML GIANT on Sean Kilpatrick's "fuckscapes" "The violent, sexual zone of television and entertainment is made to saturate that safe-haven, the American Family. The result is a zone of violent ambience, a 'fuckscape': where every object or word can be made to do horrific acts. As when torturers use banal objects on their victims, it is the most banal objects that become the most horrific (and hilarious) in Sean Kilpatrick's brilliant first book." -Johannes Goransson on "fuckscapes" "Here is your I.V. drip of sphinx's blood." -CA Conrad
Lazy Fascist Review #1
The debut issue of the literary journal from premiere independent publisher, Lazy Fascist Press. Featuring interviews with Dennis Cooper and Tom Piccirilli, fiction and poetry by Elizabeth Ellen, William Boyle, Juliet Escoria, Mike Meginnis, Sean Kilpatrick, Ben Spivey, Monica Storss, and Hernan Ortiz. Also featuring recommended beer pairings and beer reviews by Ross E. Lockhart.
Animal Money
A living form of money results in the unraveling of the world.
Spaces and Fictions of the Weird and the Fantastic
This collection of essays discusses genre fiction and film within the discursive framework of the environmental humanities and analyses the convergent themes of spatiality, climate change, and related anxieties concerning the future of human affairs, as crucial for any understanding of current forms of “weird” and “fantastic” literature and culture. Given their focus on the culturally marginal, unknown, and “other,” these genres figure as diagnostic modes of storytelling, outlining the latent anxieties and social dynamics that define a culture’s “structure of feeling” at a given historical moment. The contributions in this volume map the long and continuous tradition of weird and fantastic fiction as a seismograph for eco-geographical turmoil from the nineteenth to the twenty-first century, offering innovative and insightful ecocritical readings of H. P. Lovecraft, Harriet Prescott Spofford, China Miéville, N. K. Jemisin, Thomas Ligotti, and Jeff VanderMeer, among others.
Die You Doughnut Bastards
"In Die You Doughnut Bastards, amputees, lonely young people, and talking animals struggle for survival against the freakish whims of nature. A typewriter made of fetuses is the source of woe for an expecting couple. A girl with a glass jaw hides an otherworldly secret. A demonic loner goes to a birthday party in Hell. You'll encounter a killer in a marsupial mask, a prison for anorexics, haunted pancakes, and a songwriter with a cult following. Surreal prose poems give way to personal accounts of alienation and modern love. Vegetarian narwhals are sold at the supermarket. And in a city that might be your own, zombie doughnuts are rising up. Kill yourself before they kill you. Or just kill yourself."--Page 4 of cover
Lazy Fascist Review #2
Books, beer, and pony flesh.
