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Aristide of Le Figaro
Is it true that French people enjoy reading grammar articles over their coffee and croissants? Can matters of language really be so interesting and absorbing? For thirty years, Aristide composed his Usage et grammaire and Divertissements grammaticaux for one of France’s foremost daily newspapers, Le Figaro. His fans avidly read his weekly chroniques de langue, corresponding with him and asking him questions, which he delighted in answering. His linguistic writings, topical, witty and elegant, are both entertaining and instructive. This book on Aristide’s work will be appreciated by lovers of the French language the world over. Although written in English, it is peppered throughout with extracts from Aristide’s weekly rubriques. Aristide stood in the long tradition of French grammarians, some purist and others relatively laxist. Bernard Pivot described him as one who was «sévère pour une faute de français, indulgent pour un français en faute».
Claude Duneton, Chroniqueur at Le Figaro
Claude Duneton was a French literary figure of note (1935-2012) and a versatile and prolific writer, whose Parler croquant (1973) first brought him public acclaim. He enjoyed most of all the weekly language articles he wrote for Le Figaro littéraire, from 1994 to 2010, when his life as a writer was cruelly cut short by a severe, disabling stroke. When Claude Duneton succeeded Maurice Chapelan (Aristide) as resident chroniqueur du langage at Le Figaro, he was not without experience in the field, having successfully composed such pieces for the women’s magazine Elle during the late 1970s. That period served him well as a preparation for his sixteen years at Le Figaro. The title of his articles, Le plaisir des mots, was perfectly fitting, since his work as chroniqueur brought him the greatest delight and satisfaction, les mots, words, their meaning, their etymology, their often amusing history, their every aspect, being his grande passion.
The Figaro Trilogy
The Barber of Seville * The Marriage of Figaro * The Guilty Mother Eighteenth-century France produced only one truly international theatre star, Beaumarchais, and only one name, Figaro, to put with Don Quixote or D'Artagnan in the ranks of popular myth. But who was Figaro? Not the impertinent valet of the operas of Mozart or Rossini, but both the spirit of resistance to oppression and a bourgeois individualist like his creator. The three plays in which he plots and schemes chronicle the slide of the ancien régime into revolution but also chart the growth of Beaumarchais' humanitarianism. They are also exuberant theatrical entertainments, masterpieces of skill, invention, and social satire w...
Le Figaro
Plus ancien titre de la presse française, Le Figaro est sans doute l’un des plus vieux journaux du monde. Apparu en 1826 sous la forme d’un petit journal satirique, devenu quotidien en 1866 sous l’impulsion d’Hippolyte de Villemessant, il était déjà, à la fin du XIXe siècle une institution de la vie politique et culturelle française. La Belle Époque est aussi la sienne ; il bénéficie de l’élan de l’ensemble de la presse qui connaît un âge d’or, exerçant une influence sans partage sur l’opinion. Rupture majeure, la Première Guerre mondiale ouvre une période d’instabilité pendant laquelle les propriétaires du journal se succèdent. L’institution résiste c...
Paradises Lost
Noam is a young man when the Flood wreaks havoc on the world, destroying the peaceful lakeside village he called home, and turning his whole life upside down. Destined to live forever as an immortal, Noam travels through the centuries in search of the meaning of life, and the events which shaped who we have become today. Paradises Lost is the first installment of Eric-Emmanuel Schmitt's monumental project of recounting the history of humanity, the fruits of more than thirty years of research. The first in a series, and in the form of a stylistic novel much like Yuval Noah Harari crossed with Alexandre Dumas. Schmitt combines his scientific, religious and philosophical research to propel readers from one world to another, and from pre-history to today.
The Figaro Plays
[Beaumarchais'] fame rests on Le Barbier de Seville (1775) and Le Mariage de Figaro (1784), the only French plays which his stage-struck century bequeathed to the international repertoire. But his achievement has been adulterated, for 'Beaumarchais' has long been the brand name of a product variously reprocessed by Mozart, Rossini, and the score or so librettists and musicians who have perpetuated his plots, his characters, and his name. The most intriguing question of all has centered on his role as catalyst of the Revolution. Was his impertinent barber the Sweeney Todd of the Ancien Régime, the true begetter of the guillotine? . . . Beaumarchais' plays have often seemed to need the same k...
The Oxford Handbook of European Islam
For centuries, Muslim countries and Europe have engaged one another through theological dialogues, diplomatic missions, political rivalries, and power struggles. In the last thirty years, due in large part to globalization and migration from Islamic countries to the West, what was previously an engagement across national and cultural boundaries has increasingly become an internalized encounter within Europe itself. Questions of the Hijab in schools, freedom of expression in the wake of the Danish Cartoon crisis, and the role of Shari'a have come to the forefront of contemporary European discourse. The Oxford Handbook of European Islam is the first collection to present a comprehensive approa...
Marriage of Figaro
The Black Dog Opera Library is the best, easiest and most informative and budget-friendly way to enjoy four of the greatest operas of all time. Finally available again, and packaged with gorgeous new covers, each book in the library includes the complete opera on 2 CDs, featuring world-class performances and orchestras; the complete libretto, plus its English translation; an exciting history of the opera; a biography of the composer; a synopsis of the story, broken down by act and scene; and dozens of photographs and drawings depicting performances, singers, sets, costumes, and more. The Marriage of Figaro features Dietrich Fischer-Dieskau, Heather Harper, Judith Blegen, Geraint Evans, Teres...
The Black Musketeer
Alexandre Dumas, author of The Three Musketeers, The Count of Monte Cristo, and The Man in the Iron Mask, is the most famous French writer of the nineteenth century. In 2002, his remains were transferred to the Panthéon, a mausoleum reserved for the greatest French citizens, amidst much national hype during his bicentennial. Contemporary France, struggling with the legacies of colonialism and growing diversity, has transformed Dumas, grandson of a slave from St. Domingue (now Haiti), into a symbol of the colonies and the larger francophone world in an attempt to integrate its immigrants and migrants from its former Caribbean, African, and Asian colonies to improve race relations and to prom...
