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Jean-Baptiste-Pierre LeBrun
Jean-Baptiste Pierre LeBrun's life was marked by his intense interest in art, first as an artist, and then from 1770 until his death in 1813, as an art dealer/connoisseur and as a participant in the transformation of the Louvre into a national museum during the French Revolution. He managed to accommodate whichever regime assumed power, from monarchy to republic to empire. He married the artist Elisabeth Vigée in 1776 and together they figured prominently in the pre-revolutionary cultural world of Paris. LeBrun travelled widely, buying art for his gallery and contributing to a number of aristocratic collections. His expertise in attributions of 17th-century Dutch and Flemish paintings was a...
Vigee-Lebrun 1755-1842
Vigee-Lebrun, 1755-1842: her life, works, and friendships : with a catalogue raisonne of the artist's pictures.
Vigee-Lebrun
Rare femme de son époque à avoir intégré l’Académie royale de peinture, Élisabeth Vigée-Lebrun (1755-1842) fut une portraitiste très appréciée de l’aristocratie. Ses tableaux témoignent d’une période clé de l’Histoire : elle fut la peintre attitrée et l’amie de Marie-Antoinette avant la Révolution, et prit la fuite à travers l’Europe avant de revenir en France sous Napoléon, tout en continuant de peindre. Autodidacte, VigéeLebrun sut mettre ses modèles en valeur, maîtrisant les effets de matière à la perfection et usant d’un style délicat et raffiné.
The Memoirs of Madame Vigée Lebrun
This is an autobiography and memoirs of the extraordinary life of Elisabeth Vigee Lebrun (1756-1842), one of the finest painters of eighteenth-century France. She was highly esteemed by painters at home and abroad and became one of the few women admitted to the French Academy at a time when a career as an artist was all but restricted to men. Due to this honor, she entered the higher society and got acquainted with both aristocracy and the greatest artists and writers of the day. Among the people she managed to see in her life, a reader will find Marie Antoinette, Catherine the Great, Benjamin Franklin, and Lord Byron.
Revolutionary Paris and the Market for Netherlandish Art
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
The Exceptional Woman
Elisabeth Vigee-Lebrun (1755-1842) was an enormously successful painter, a favorite portraitist of Marie-Antoinette, and one of the few women accepted into the Royal Academy of Painting and Sculpture. In her role as an artist, she was simultaneously flattered as a charming woman and vilified as monstrously unfeminine. In the Exceptional Woman, Mary D. Sheriff uses Vigee-Lebrun's career to explore the contradictory position of "woman-artist" in the moral, philosophical, professional, and medical debates about women in eighteenth-century France. Central to Sheriff's analysis is one key question: given the cultural norms and social attitudes that regulated a woman's activities, how could Vigee-...
Guide to Standard Floras of the World
This 2001 book provides a selective annotated bibliography of the principal floras and related works of inventory for vascular plants. The second edition was completely updated and expanded to take into account the substantial literature of the late twentieth century, and features a more fully developed review of the history of floristic documentation. The works covered are principally specialist publications such as floras, checklists, distribution atlases, systematic iconographies and enumerations or catalogues, although a relatively few more popularly oriented books are also included. The Guide is organised in ten geographical divisions, with these successively divided into regions and units, each of which is prefaced with a historical review of floristic studies. In addition to the bibliography, the book includes general chapters on botanical bibliography, the history of floras, and general principles and current trends, plus an appendix on bibliographic searching, a lexicon of serial abbreviations, and author and geographical indexes.
Femininity and Masculinity in Eighteenth-century Art and Culture
Focusing on the visual arts and written texts, this book explores the nature of femininity and masculinity in 18th-century Britain and France. The activities and collective conditions of women as producers of art and culture are investigated, together with analysis of representation and the ways in which it might be gendered. This illustrated book should make an important contribution to debates on representation, constructions of sexuality and women as producers.
