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Remembering the Samsui Women
Remembering the Samsui Women tells the story of women from the Samsui area of Guangdong, China, who migrated to Singapore during a period of economic and natural calamity, leaving their families behind. In their new country, many found work in the construction industry, while others worked in households or factories where they were called hong tou jin, translated literally as "red-head-scarf," after the headgear that protected them from the sun. Contributing to current debates in the fields of social memory and migration studies, this is the first book to examine how the Samsui women remember their own migratory experiences and how they, in turn, are remembered as pioneering figures in both Singapore and China.
Voice and Discourse in the Irish Context
This book examines the intersection of culture and language in Ireland and Irish contexts. The editors take an interdisciplinary approach, exploring the ways in which culture, identity and meaning-making are constructed and performed through a variety of voices and discourses. This edited collection analyses the work of well-known Irish authors such as Beckett, Joyce and G. B. Shaw, combining new methodologies with more traditional approaches to the study of literary discourse and style. Over the course of the volume, the contributors also discuss how Irish voices are received in translation, and how marginal voices are portrayed in the Irish mediascape. This dynamic book brings together a multitude of contrasting perspectives, and is sure to appeal to students and scholars of Irish literature, migration studies, discourse analysis, traductology and dialectology.
The Beach in Anglophone Literatures and Cultures
From early colonial encounters to the ecological disasters of the twenty-first century, the performativity of contact has been a crucial element in the political significance of the beach. Conceptualising the beach as a creative trope and as a socio-cultural site, as well as an aesthetically productive topography, this collection examines its multiplicity of meanings and functions as a natural environment engendering both desire and fear in the human imagination from the Victorian period to the present. The contributors examine literature, film, and art, in addition to moments of encounter and environmental crisis, to highlight the beach as a social space inspiring particular codes of behavi...
Myth and Fairy Tale in Contemporary Fiction
This volume provides more sustained critical attention on the use of myth and fairy tales in contemporary fiction, both stand-alone tales and those which are embedded in the wider frame of a novel or novella. In this light, the book examines contemporary retellings of myths and fairy tales in a productive dialogue with tradition as an extended appreciation of this productive creative and theoretical dialogue. The individual chapters evince a robust variety of conceptions and approaches, all thoroughly observant of the nature and workings of the relationship between story and genre, and theoretically informed by innovative critical approaches. Hence, the volume demonstrates the undeniable importance of myth and fairy tales in contemporary fiction, suggesting questions for future consideration, and hopefully pointing towards new texts and new critical inquiries.
Seaing through the Past
From Daniel Defoe to Joseph Conrad, from Virginia Woolf to Derek Walcott, the sea has always been an inspiring setting and a powerful symbol for generations of British and Anglophone writers. Seaing through the Past is the first study to explicitly address the enduring relevance of the maritime metaphor in contemporary Anglophone fiction through in-depth readings of fourteen influential and acclaimed novels published in the course of the last three decades. The book trenchantly argues that in contemporary fiction, maritime imagery gives expression to postmodernism’s troubled relationship with historical knowledge, as theorised by Hayden White, Linda Hutcheon, and others. The texts in quest...
Narratives of the Unspoken in Contemporary Irish Fiction
This Open access book is a collection of essays and offers an in-depth analysis of silence as an aesthetic practice and a textual strategy which paradoxically speaks of the unspoken nature of many inconvenient hidden truths of Irish society in the work of contemporary fiction writers. The study acknowledges Ireland’s history of damaging silences and considers its legacies, but it also underscores how silence can serve as a valuable, even productive, means of expression. From a wide range of critical perspectives, the individual essays address, among other issues, the conspiracies of silence in Catholic Ireland, the silenced structural oppression of Celtic Tiger Ireland, the recovery of sil...
Postcolonial Overtures
Postcolonial Overtures explores the importance of sound in contemporary Northern Irish writing, focusing on the work of three canonical poets: Ciaran Carson, Derek Mahon, and Paul Muldoon. Obert argues that these poets respond to what Edward Said calls “geographical violence”—to the stratification of the North’s visual spaces; to the sectarian symbols splashed across Belfast and beyond—by turning from the eye to the ear, tentatively remapping place in acoustic space. Carson, for instance, casts Troubles-era Belfast as a “demolition city,” its landmarks “swallowed in the maw of time and trouble,” and tries to compensate for this inhospitality by reimagining landscape as soundscape, an immersive auditory field. This strategy suggests sound’s political and affective potential: music, accent, and even comfortingly familiar white noise can help subjects, otherwise unmoored, feel at home. Drawing on a diverse range of fields, Obert devotes two chapters to the examination of each poet’s work, allowing room for both in-depth formalist readings and contextual and theoretical understandings of the poems and their reverberating effects.
Memory Ireland
In the fourth and final volume of the Memory Ireland series, Frawley and O’Callaghan explore the manifestations and values of cultural memory in Joyce’s Ireland, both real and imagined. An exemplary author to consider in relation to questions of how history is remembered and recycled, Joyce creates characters who confront particularly the fraught relationship between the individual and the historical past; between the crisis of colonial history and the colonized state; and between the individual’s memory of his or her own past and the past of the broader culture. The collection includes leading Joyce scholars—Vincent Cheng, Anne Fogarty, Luke Gibbons, and Declan Kiberd—and considers such topics as Jewish memory in Ulysses, history and memory in Finnegans Wake, and Joyce and the Bible.
Paul Muldoon in America
A study of the later career of the poet Paul Muldoon who left his native Northern Ireland for the United States in 1987 and acquired US citizenship. The volume explores how the move to the US influenced Muldoon's work especially concerning themes of departure and return.
Culture, Media, Theory, Practice
The questions of cultural and media theory and analysis are always self-reflective. That is to say that, if we accept the relatively common sense assertion that theory and analysis are the central tasks of culture and media studies, one is never exempted from the questions of what one is attempting to do and why. The book deals with the questions: What does it mean to theorize culture? What does it mean to practice cultural analysis? What does it mean to theorize media? What does it mean to practice media analysis? The Purpose of these questions is to connect research with Culture and Media Studies with global discourses in the field and provide a view of researchers reflecting on their own methods that will be of use for students and researchers of culture media alike.
