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Transfigured Light
An original research monograph that investigates and re examines the ideas generated by the Hermetic tradition (the hermetic imaginary) to discuss the effects of this tradition on philosophy and science. Author posits several elements of the hermetic imaginary that have been influential in modern philosophy and science. Table of contents: Chapter1: Spirit of the Beehive: Hermetic Resonances in Cybernetics, AI and Cyberspace Chapter2: Body Doubles Chapter3: Metaphysical Geometry, Cyber-Attractors and the Shape of the World Soul Chapter4: The Gnostic Chemistry of Robert Fludd Chapter5: The Gnostic Leibniz Chapter6: History Examines a Tradition " ....Highly recommended...an original and valuable contribution to the intellectual history of the West." Professor Paul du Quenoy, AUC History and Ideas Series, No.1
The Physics of Transfigured Light
Reveals the Hermetic underpinnings of modern scientific theories • Offers a full reconsideration of the history of science from Newton to the present day as well as a Platonic-Hermetic perspective on modern technology • Examines Hermetic resonances among the ideas of Gurdjieff, Robert Fludd, Marsilio Ficino, and cybernetics; Einstein and the Tibetan Bardo; Neoplatonism and artificial intelligence; and Rosicrucianism and the internet • Shows how Hermetic doctrine is at the heart of what modern physics is now rediscovering: that consciousness permeates everything Contemporary scientific disciplines such as chaos and complexity theory, artificial intelligence, and cognitive science treat ...
Endangering Science Fiction Film
Endangering Science Fiction Film explores the ways in which science fiction film is a dangerous and endangering genre. The collection argues that science fiction's cinematic power rests in its ability to imagine ‘Other’ worlds that challenge and disturb the lived conditions of the ‘real’ world, as it is presently known to us. From classic films such as 2001: A Space Odyssey and Solaris to modern blockbusters including World War Z and Gravity, and directors from David Cronenberg to Alfonso Cuarón, contributors comment on the way science fiction film engages with dangerous encounters, liminal experiences, sublime aesthetics, and untethers space and time to question the very nature of human existence. With the analysis of a diverse range of films from Europe, Asia, North and South America, Endangering Science Fiction Film offers a uniquely interdisciplinary view of the evolving and dangerous sentiments and sensibility of this genre.
India and the Occult
India and the Occult explores the reception of Indian spirituality among Western occultists through case studies. Rather than focusing on the activities of Theosophical Society, India and the Occult looks at the 'hard-core' occultism, in particular the British 20th century currents associated with Aleister Crowley, Dion Fortune, Kenneth Grant, etc.
Restoring the Soul of the World
Humanity’s creative role within the living pattern of nature • Explores important scientific discoveries that reveal the self-organizing intelligence at the heart of nature • Examines the idea of a living cosmos from its roots in the earliest cultures, to its eclipse during the Scientific Revolution, to its return today • Reveals ways to reengage our creative partnership with nature and collaborate with nature’s intelligence For millennia the world was seen as a creative, interconnected web of life, constantly growing, developing, and restoring itself. But with the arrival of the Scientific Revolution in the 16th and 17th centuries, the world was viewed as a lifeless, clocklike m...
Anecdotal Evidence
'Anecdotal Evidence' reveals the deep intertwining of history and ecology in culture, extending to the infrastructure of streaming video media and mass image databases. An original take on Anthropocene anxieties and technological paranoia, the text proposes that the digital humanities still need the traditional skills of close reading to understand our contemporary condition.
Relive
"... Consider the idea of history and the artwork's moment in time; the intersection of geography and history in regional practice, illustrated by examples from Eastern Europe, Australia, and New Zealand; the contradictory scales of evolution, life cycles, and bodily rhythms in bio art; and the history of the future--how the future has been imagined, planned for, and established as a vector throughout the history of new media arts." --book jacket.
Bridges to Science Fiction and Fantasy
The J. Lloyd Eaton Conferences on Science Fiction and Fantasy Literature—long held at the University of California, Riverside—have been a major influence in the study of science fiction and fantasy for thirty years. The conferences have attracted leading scholars whose papers are published in Eaton volumes found in university libraries throughout the world. This collection brings together 22 of the best papers—most with new afterwords by the authors—presented in chronological order to show how science fiction and fantasy criticism has evolved since 1979.
New Silent Cinema
With the success of Martin Scorsese’s Hugo (2011) and Michel Hazanavicius’s The Artist (2011) nothing seems more contemporary in recent film than the styles, forms, and histories of early and silent cinemas. This collection considers the latest return to silent film alongside the larger historical field of visual repetitions and affective currents that wind their way through 20th and 21st century visual cultures. Contributors bring together several fields of research, including early and silent cinema studies, experimental and new media, historiography and archive theory, and studies of media ontology and epistemology. Chapters link the methods, concerns, and concepts of early and silent film studies as they have flourished over the last quarter century to the most recent developments in digital culture—from YouTube to 3D—recasting this contemporary phenomenon in popular culture and new media against key debates and concepts in silent film scholarship. An interview with acclaimed Canadian filmmaker Guy Maddin closes out the collection.
Robot Ecology and the Science Fiction Film
This book offers the first specific application in film studies of what is generally known as ecology theory, shifting attention from history to the (in this case media) environment. It takes the robot as its subject because it has attained a status that resonates not only with some of the key concerns of contemporary culture over the last century, but also with the very nature of film. While the robot has given us a vehicle for exploring issues of gender, race, and a variety of forms of otherness, and increasingly for asking questions about the very nature and meaning of life, this image of an artificial being, typically anthropomorphic, also invariably implicates the cinema’s own and quite fundamental artificing of the human. Looking across genres, across specific media forms, and across closely linked conceptualizations, Telotte sketches a context of interwoven influences and meanings. The result is that this study of the cinematic robot, while mainly focused on science fiction film, also incorporates its appearance in, for example, musicals, cartoons, television, advertising, toys, and literature.
