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Mob Psycho 100: Reigen
In a world haunted by dangerous supernatural forces, there are still some problems you can't solve no matter how much spiritual power you have. And a good thing too—because phony exorcist Reigen Arataka doesn't have any! But that's never stopped Reigen from running a ghostbusting business...and his new part-time office assistant is none other than Tome Kurata, a girl obsessed with the strange and unexplained—and the schoolmate of Reigen's protégé, Shigeo "Mob" Kageyama. Yet whereas Mob's incredible psychic strength resolved many a case for Reigen, Tome is as powerless as her boss! Or so she may think at first...but if there's one thing a master scam artist knows how to teach, it's the power of confidence and belief!
John Stanley
This is a deluxe, full-color, coffee table book biography; the first of one of America’s greatest storytellers. It's filled with beautifully reproduced artwork from the comic books Little Lulu, and his creations Melvin Monster and Thirteen(Going on Eighteen); rare drawings and cartoons; and never-before-seen photographs. Bill Schelly tells Stanley’s life story through interviews with his family, friends, and colleagues: his childhood in Harlem and the Bronx, life with his strict Irish Catholic mother, his education at Parsons, his first job as an animator at Max Fleischer Studios, and his years working as a commercial artist, before finding his true métier in comic books during World War II (while battling clinical depression and alcoholism).
Horror Comics in Black and White
In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.
The Boston Directory
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Mickey Mouse Meets Blotman
Mickey Mouse is plunged into another dimension in which his arch-enemy, The Phantom Blot, is an action hero who fights for law and order and in which Mickey’s inventor friend — kindly old Doc Static — is an evil criminal genius, Doc Stat. The story is filled with great action hero satire, and wait till you find out who Blotman really is!
Carl Barks
Interviews with the Disney artist who created Scrooge McDuck and many well-loved comic books Disney artist Carl Barks (1901-2000) created one of Walt Disney's most famous characters, Scrooge McDuck. Barks also produced more than 500 comic book stories. His work is ranked among the most widely circulated, best-loved, and most influential of all comic book art. Although the images he created are known virtually everywhere, Barks was an isolated storyteller, living in the desert of California and preferring to labor without public fanfare during most of his career. He created work of such exceptional quality that he was accorded the greatest autonomy of any Disney artist. He is the only comic b...
