You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Combines professional insights along with the author's own experience and insights to speculate on how believers can make sense of their Christian faith when confronted with tragedy and suffering.
Written by the best selling author of Where the Hell Is God?, this accessible volume is for everyone who wonders how to pray, everyone who wonders what happens when you pray, and everyone who wonders if God hears our prayers.
An accessible, engaging, and educational journey through the history, liturgy, and theology of the seven sacraments.
Meditations on the sources of formation in Christian approach to law, its application to contemporary living, and how our approach to the law should set us free, not bind us up. A positive contribution to the present and lively debate about the tension between Christian liberty and obedience.
A lively, discerning guide to what's good, beautiful, and true at the movies "Richard Leonard, SJ, expertly guides readers through some of the most popular recent films and shows us how even the most unlikely movies can encourage us to pray and draw closer to the divine . . . fascinating, lively, and often witty." --James Martin, SJ, author of "My Life with the Saints " This thought-provoking and inspiring work by popular film critic and Jesuit Richard Leonard explains how movies are today's parables and why people of faith need the skills to converse about them intelligently and productively. In "Movies""That Matter," Leonard views fifty important movies through "a lens of faith" and offers...
Addressing the world in which Christians live, bestselling author Richard Leonard asks who we are before God and how we can be more confident in our faith in a loving God.
None
What Does It All Mean? brings together into one volume three previous works on belief and its challenges: Where the Hell Is God?, Why Bother Praying?, and What Are We Doing on Earth for Christ's Sake? This work revises, restructures, edits, augments, and develops the early works into a single coherent case for belief. It does not shy away from the biggest challenges to faith inside and outside of the Church, but outlines a contemporary and accessible response to the issues that confront and sometimes confound believers today. It has an index for easy and quick reference.
Most athletic organisations (youth, junior, high school, Olympic, and a large number of college programs) have insufficient finances to meet operational need, and personnel must learn to proactively address resource deficiencies. This book expands upon the foundation of fundraising information and strategies offered in the first edition. This book includes the most recent fundraising models and focuses on more practical and comprehensive applications of fundraising administration. Additionally, the discussion of fundraising programs has been expanded to include all aspects of the fundraising campaign. Whether you are an undergraduate or graduate student studying sport management, athletic administrator running any level sport program, or program coordinator developing your own fundraising effort, this 2nd Edition contains the ideal mix of fundraising theory and practice that will enable your future or current fundraising endeavours.
'Magical', 'out of this world', 'an experience you'll never forget': Peter Weir's films have enthralled audiences around the globe. Whether in iconic Australian works such as Picnic at Hanging Rock and Gallipoli or international mainstream thrillers such as Witness, Weir has deliberately created mystical movie experiences. Modern cinema studies is used to dissecting films on the basis of gender, class or race: now, for the first time, Richard Leonard shows that a mystical gaze also exists and is exercised in the secular multiplex temples of today. The Mystical Gaze of the Cinema is a meticulous and accessible book that uses a psychoanalytic approach incorporating the insights of Jung, film theory and theology to break new ground in what continues to be a hot topic in cinema studies: the spectator/screen relationship. Leonard provides a fresh and innovative perspective on what happens when we behold a film.