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Selling Leonardo
The infamous Salvator Mundi painting sold in 2017 for $450.3 million, garnering worldwide attention. News stories had everyone thinking that this painting was made by the legendary Renaissance artist, Leonardo da Vinci. However, something major was left out of those headlines. Many da Vinci experts did not believe that he created the work. Several years after the notorious sale, an unknown American artist was presented with the opportunity of a lifetime. Every year, thousands of artists from around the world apply to be an official Copyist at the Louvre Museum in Paris. While only a few are selected, this artist was somehow chosen for the program. As he prepared for his art to be shown in the Louvre, he came across the many people involved with the Salvator Mundi, exposing a dark mystery across continents. Selling Leonardo is an adventurous true story that lifts the curtain of the secretive, high-stakes art world.
Leonardo Da Vinci
Examines Leonardo da Vinci's beginnings as an artist and his earliest works, including the Uffizi Annunciation and the Munich Madonna and Child
The Aztecs
The Aztecs brings to life one of the best-known indigenous civilizations of the Americas in a vivid, comprehensive account of the ancient Aztecs. A thorough examination of Aztec origins and civilization including religion, science, and thought Incorporates the latest archaeological excavations and research into explanations of the Spanish conquest and the continuity of Aztec culture in Central Mexico Expanded coverage includes key topics such as writing, music, royal tombs, and Aztec predictions of the end of the world
Leonardo da Vinci – Nature and Architecture
The second volume of Leonardo Studies explores a dual theme of nature and architecture, offering a wide-ranging overview of current Leonardo scholarship on these two abundant subjects. While Leonardo worked on his Treatise on Painting, he noted that understanding the physical properties of nature must precede individual projects of painting or designing buildings. The volume begins with the Trattato, and follows with physics, geology, painting that imitates architectural structure and vice-versa, and proceeds to architectural projects, questions of attribution, urban planning, and and the dissemination of Leonardo’s writings in the Trattato and its historiography. This impressive group of articles constitutes not only new research, but also a departure point for future studies on these topics. Contributors are: Janis Bell, Andrea Bernardoni, Marco Carpiceci, Paolo Cavagnero, Fabio Colonnese, Kay Etheridge, Diane Ghirardo, Claudio Giorgione, Domenico Laurenza, Catherine Lucheck, Silvio Mara, Jill Pederson, Richard Schofield, Sara Taglialagamba, Cristiano Tessari, Marco Versiero, and Raffaella Zama.
The Creators
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The Crying Years
The Great War of 1914-1918 affected all Australians and decisively changed the new nation. They were 'The Crying Years' according to writer Zora Cross, who lost her brother in 1917. This visual history of Australia's Great War offers a different perspective on a period of time familiar to many. It helps to connect the war overseas - the well-chronicled battles at Gallipoli, Fromelles, Passchendaele and Villers-Bretonneux - with the equally bitter war at home, for and against conscription, over 'loyalty' and 'disloyalty'. Men faced life-changing choices: volunteer to fight or stay at home; join the revolutionary unionists or break the strikes. Women bore the burdens of waiting and worrying, of working for charities, or of voting to send men to their deaths. Even children were drawn into the animosities, as their communities fractured under the stress. Prize-winning historian Professor Peter Stanley of UNSW Canberra uses documents, photographs, artefacts and images from the collections of the National Library of Australia to evoke the drama and tragedy, suffering and sacrifice, pain and pity of Australia's Great War.
Skiing
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Calibration and Reliability in Groundwater Modelling
Several of the papers here deal with decision making under uncertainty.
The King's Crown
Basil Guy is Professor Emeritus of French, University of California, Berkeley. A decorated World War II veteran, he is the author of several books and editions, including an outstanding translation of Charles-Joseph de Ligne Coup d'oeil sur Beloeil (University of California Press, 1986). His work reflects a wide variety of academic interests, ranging from Voltaire and Rousseau to art history and the literature of gardens, to European perceptions of China in the 18th century. He has directed and participated in directing numerous theses and dissertations in French, history, and art history at the University of California, Berkeley. He has forged enduring academic and intellectual friendships across both the Atlantic and the Pacific oceans. His former students teach at universities across the United States.
Official Gazette
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