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Visual arts.
The life and work of Jackson Pollock.
This book functions both as a theoretical study of painting practice - essays by Jan Bryant and Leonhard Emmerling disagreeing about the supposed purpose or operation of contemporary painting - and an exhibition catalogue, illustrating in full the wide variety of practices that made up a show of the work of painters (in the widest sense) from New Zealand, Europe and the US. PX: Thoughts on Painting was published following the two-part PX exhibition at St Paul Street Gallery, AUT University, Auckland - A Purposeless Production: A Necessary Praxis, curated by Leonhard Emmerling, and Snow Falls on Mountains Without Wind, curated by Jan Bryant - featuring the work of the following artists: Whitney Bedford, Richard Bryant, Amelia Harris, Dil Hildebrand, Colin Lawson, Saskia Leek, Patrick Lundberg, Michel Majerus, Fiona Macdonald, Isobel Thom, Barbara Tuck, Genevieve Allison, Guy Benfield, James Cousins, Simon Glaister, Kerstin Gottschalk, Katharina Grosse, Simon Ingram, Imi Knoebel, Tumi Magnusson, Paul McCarthy, Judy Millar, Ben Morieson, Gerhard Richter, Nedko Solakov.
In 1916 a meeting of artists, writers, émigrés and opposition figures took place in the Cabaret Voltaire in Zurich. Under the shadow of the First World War, this was the starting point for the dissemination of the artistic and literary style known as Dadaism.
An overview of the life and work of artist Mark Rothko, this volume exhibits his mythological content, simple flat shapes, and imagery inspired by primitive art.
The founder of abstract art The Russian painter Wassily Kandinsky (1866-1944), who later lived in Germany and France, is one of the pioneers of twentieth-century art. Nowadays he is regarded as the founder of abstract art and is, moreover, the chief theoretician of this type of painting. Together with Franz Marc and others he founded the group of artists known as the "Blauer Reiter" in Munich. His art then freed itself more and more from the object, eventually culminating in the "First Abstract Watercolour" of 1910. In his theoretical writings Kandinsky repeatedly sought the proximity of music; and just as in music, where the individual notes constitute the medium whose effect stems from har...
Roman Signer is one of the most important and influential contemporary Swiss artists. Over many decades, in a great variety of ways, he has single-mindedly researched the aspect of time with regard to the meaning of sculpture. His spectacular explosions made him famous, and his reputation as an innovative and unique artist was secured, at the very latest, by his participation in Skulpturen Projekte, Münster 1997, and the Venice Biennial in 1999 representing Switzerland. In this book Brian Butler and Leonhard Emmerling develop a new interpretation of Signer's work by concentrating on the video pieces and by attempting to shed light on the temporal aspect of his work using literature and philosophy as points of reference. Published on the occasion of the exhibition Roman Signer: Sculpting in Time, March - May 2008 at ST PAUL Street Gallery and ARTSPACE, Auckland.
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Featuring foldouts, candid photographs, and full-page color installation shots, this beautiful new book celebrates the work of Jean-Michel Basquiat over his brief but meteoric career. Dozens of historical photographs, both black-and-white and color, connect the text with the close to sixty color plates, providing invaluable insight into the life and work of this seminal artist. Art historian Robert Farris Thompson delivers a detailed analysis of some of Basquiat’s most iconic paintings, situating them within the artist’s own oeuvre, as well as the larger landscape of twentieth-century art. Rounding out this stunning volume, the late Rene Ricard provides a rare but accurate glimpse into the private world of Basquiat, recounting their sometimes fraught friendship, from their first meeting in 1981 to Basquiat’s death in 1988.
Get up close to the bold brushwork and scribbled words of Jean-Michel Basquiat, one of the most successful artists of his time. This XXL-sized monograph gathers Basquiat's major works in pristine reproduction. Texts by editor Hans Werner Holzwarth and curator and art historian Eleanor Nairne introduce us to a legend synonymous with 1980s New York.