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Bones of the Moon is the story of a young woman named Cullen James who leads a dual life, one in the real world and the other in her vivid night dreams set in a magical land called Rondua. In these dreams, Cullen embarks on a quest to find the Bones of the Moon, five bones that hold power over Rondua. As the dreams intensify, they begin to impact her waking life, leading to unsettling and frightening intersections between the two worlds. Alongside an enigmatic little boy also seeking the bones, and Mr. Tracy, a dog the size of a hot-air balloon, Cullen navigates through both realms in search of these mystical bones.
ONE OF NPR’S BEST BOOKS OF 2019 The water-breathing descendants of African slave women tossed overboard have built their own underwater society—and must reclaim the memories of their past to shape their future in this brilliantly imaginative novella inspired by the Hugo Award–nominated song “The Deep” from Daveed Diggs’s rap group clipping Yetu holds the memories for her people—water-dwelling descendants of pregnant African slave women thrown overboard by slave owners—who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one—the historian. This demanding role has been bestowed on Yetu. Yetu remembers for eve...
From the National Book Award–winning author of Interior Chinatown, comes a hilarious, heartbreaking, and utterly original collection of short stories. A big-box store employee is confronted by a zombie during the graveyard shift, a problem that pales in comparison to his inability to ask a coworker out on a date . . . A fighter leads his band of virtual warriors, thieves, and wizards across a deadly computer-generated landscape, but does he have what it takes to be a hero? . . . A company outsources grief for profit, its slogan: “Don’t feel like having a bad day? Let someone else have it for you.” Drawing from both pop culture and science, Charles Yu is a brilliant observer of contemporary society, and in Sorry Please Thank You he fills his stories with equal parts laugh-out-loud humor and piercing insight into the human condition. He has already garnered comparisons to such masters as Kurt Vonnegut and Douglas Adams, and in this new collection we have resounding proof that he has arrived (via a wormhole in space-time) as a major new voice in American fiction.
Super-intelligent furry aliens suddenly appear from another universe. And they’ve come to earth to have fun. “Louie” follows fisherman Billy Morton home one day and he and his family come quickly to love the playful alien. But when Louie starts using their computer to hack into government and corporate networks, and steal millions from banks to give to others, they realize that Louie and his friends mean trouble. Billy, his wife and two sons begin a roller-coaster ride of fame, fortune, jail, death, resurrection, and a distinguished ranking high on the FBI’s “Most Wanted” List. The Government soon decides that all these aliens are terrorists. They must be eliminated. The aliens are playing games they hope will help humans to see the insanity of the American political, economic and military systems. But the Powers that Be don’t play games: they make war.
Building on the work of biblical scholars—Rudolph Bultmann, Raymond Brown, Jane Schaberg, and Robert Funk, among others—filmmaker Paul Verhoeven disrobes the mythical Jesus to reveal a man who has much in common with other great political leaders throughout history—human beings who believed that change was coming in their lifetimes. Gone is the Jesus of the miracles, gone the son of God, gone the weaver of arcane parables whose meanings are obscure. In their place Verhoeven gives us his vision of Jesus as a complete man, someone who was changed by events, the leader of a political movement, and, perhaps most importantly, someone who, in his speeches and sayings, introduced a new ethic ...
After the twentieth century’s devastating series of wars, the world’s governments banded together into one globe-spanning entity, committed to peace at all costs. Ensuring that peace is the Vulcan supercomputer, responsible for all major decisions. But some people don’t like being taken out of the equation. And others resent the idea that the Vulcan is taking the place of God. As the world grows ever closer to all-out war, one functionary frantically tries to prevent it. But the Vulcan computer has its own plans, plans that might not include humanity at all.
"A wonderland of fantastical and frightening, magical and real." Marlon James "A fantastical, fierce reckoning... Sorrowland is gorgeous." Roxanne Gay "Dark, magical and incredibly satisfying." Independent "An exhilarating journey to the outer limits of science fiction." Guardian. --- Vern, a hunted woman alone in the woods, gives birth to twins and raises them away from the influence of the outside world. But something is wrong - not with them, but with her own body. It's changing, it's itching, it's stronger, it's... not normal. To understand her body's metamorphosis, Vern must investigate not just the secluded religious compound she fled but the violent history of dehumanization, medical experimentation, and genocide that produced it. In the course of reclaiming her own darkness, Vern learns that monsters aren't just individuals, but entire histories, systems, and nations. Sorrowland is a memorable work of Gothic fiction that wrestles with the tangled history of racism in America and the marginalisation of society's undesirables. It is a searing, seminal book that marks the arrival of a bold, unignorable voice in American fiction.
The contributions gathered in this volume exhibit a great variety of interdisciplinary perspectives on and theoretical approaches to the notion of ‘spaces between’. They draw our attention to the nexus between the medium of comics and the categories of difference as well as identity such as gender, dis/ability, age, and ethnicity, in order to open and intensify an interdisciplinary conversation between comics studies and intersectional identity studies.
30 utterly original, darkly surreal and dangerously funny tales unfold in the present, past and future in mythic space and the not-quite-ordinary everyday world. Within, readers will meet a panoply of unforgettable characters, including the exes of both God and Death, a dog addicted to cocaine, a couple who literally merge through the intensity of their mutual lust and another who eat their kids. And, of course, the goat that ate its own legs.