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The Return Of Leslie Morgan by Neal Chadwick The size of this book corresponds to 107 pages of paperback. This novel tells the story of the lonely struggle of an upright man.
Boys' Life is the official youth magazine for the Boy Scouts of America. Published since 1911, it contains a proven mix of news, nature, sports, history, fiction, science, comics, and Scouting.
On the surface, Les Morgan is a deeply humble, sweet, gentle, and seemingly simple Montana man. But there has been nothing simple or easy about the journey that has shaped him into the survivor he is today. In this memoir, Les takes us into his life from as early as he can remember, recalling experiences starting as young as two years old, and he gives us the reality of what it was like being raised with a speech problem by a 1st Special Service Forces veteran father, a devout and quiet Catholic mother, and five sisters and brothers. Through his love of music, Les overcomes his childhood struggles, then loses his first love to cancer, raises three children as a widower, has a son on the autism spectrum, and eventually finds love again. Subtly profound and poignant, this story is about abuse, loss, grief, forgiveness, healing, triumph, perseverance, and finding happiness despite hardships. Interviewed over several years by his loving sister Jeannette, these two siblings enrich their already unbreakable bond by diving into his journey together.
The Lewis Family of Warner Hall was perhaps the most influential family in Gloucester County, Virginia, during the colonial period. The subject of a widely respected family history by Merrow Edgerton Sorley, originally published in 1935 and reprinted by the Genealogical Publishing Co., the Lewises of Warner Hall and their descendants have made notable contributions to Virginia and the nation. Since the original publication of Sorley's Lewis of Warner Hall, a debate has raged over the identity of the family's immigrant ancestor, whom Sorley presumed to be one ROBERT LEWIS of Wales. It was left to Mrs. Moses to show conclusively that Sorley was wrong and that the true immigrant ancestor of the Lewises of Warner Hall was JOHN LEWIS, who settled at Totopotomoys Creek in Gloucester County, Virginia on July l, 1653. In her vitally important little book The Welsh Lineage of John Lewis (1592-1657), originally published in 1984, Mrs. Moses traces back the Welsh side of the Lewis family for three generations in the vicinity of its ancestral home in Llangatock, Breconshire, and also resolves a number of issues surrounding the authenticity of the family coat-of-arms.
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The Lloyd’s Register of Yachts was first issued in 1878, and was issued annually until 1980, except during the years 1916-18 and 1940-46. Two supplements containing additions and corrections were also issued annually. The Register contains the names, details and characters of Yachts classed by the Society, together with the particulars of other Yachts which are considered to be of interest, illustrates plates of the Flags of Yacht and Sailing Clubs, together with a List of Club Officers, an illustrated List of the Distinguishing Flags of Yachtsmen, a List of the Names and Addresses of Yacht Owners, and much other information. For more information on the Lloyd’s Register of Yachts, please click here: https://hec.lrfoundation.org.uk/archive-library/lloyds-register-of-yachts-online
“Storms show up and there ain’t a thing we can do to stop them.” Sonny Bates left South Carolina fifteen years ago and never looked back. Now she’s a successful Hollywood location scout who travels the world, finding perfect places for movie shoots. Home is wherever she lands, and between her busy schedule and dealing with her boss’s demands, she has little time to think about the past . . . until her latest gig lands her a stone’s throw from everything she left behind. Searching off the coast of Charleston for a secluded site to film a key scene, Sonny wanders onto a private barrier island and encounters its reclusive owner, known by locals as the Monster of Indigo Isle. What sh...
A collection of texts by researchers, artists and critics, exploring Morgan Fisher's filmography in relation to his other artistic practices. Positioned at the intersection of cinema, painting, installation, architecture, video, drawing and photography, the work of filmmaker Morgan Fisher remains to be explored, as is its influence on new generations of artists. This collection considers Morgan Fisher's filmography in relation to his other artistic practices, and investigates the very special temporality created by Fisher's structural interventions. The publication gathers researchers, artists and critics, to draw up the unprecedented profile of a work guided by the love of cinema, while goi...