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Maurice Bowra was, according to one's point of view, either the most distinguished or the most notorious Oxford don of the early twentieth century. Classicist, poet, wit, raconteur extraordinary, and Warden of Wadham College for over thirty years, he met nearly everyone of consequence in the worlds of literature and politics and had stories to tell about them all, from Jean Cocteau to Virginia Woolf, from Adolf Hitler to the Kennedys, from Isaiah Berlin to Charlie Chaplin. By force of personality and intellectual range, he influenced the thinking of almost everyone with whom he came into contact. Above all, brought up in Edwardian England, he was able to chart the ways in which the values of his youth were tested by new democratic ideas. His experiences allowed him to develop and employ theories of education that were startling, and which would mould the thinking of a generation of English intellectuals. Based upon a wide range of interviews and previously unpublished manuscript material, this is the first ever biography of Bowra, and covers every aspect of his life, from soldier on the Western Front to Oxford classicist, from celebrated wit to frustrated poet manqué.
Production Management for Television is written for those who wish to learn about producing television programmes and the role of the production manager. Featuring relevant information on digital technology and HD TV, this presents an easily accessible and authoritative guide to the area.
The Whigs were one of the two great English political parties in the 150 years after 1700, vastly influential whether in office or in opposition. Yet the Whigs were much more than simply a group of politicians. An exclusive set, composed of the greatest and wealthiest families, the Whig world was a self-contained and small one, impervious to outside criticism. With members such as Charles James Fox, Georgiana, Duchess of Devonshire and Lord Byron, its gambling, loose-living, drinking and wit was notorious. The Whig World is a portrait, of which politics forms only a small part, of an extraordinary group of men and women whose power, taste and intellect dominated the centre of what had become the greatest power in the world. Cosmopolitan, sceptical, urban, sophisticated, and promiscuous, the Whigs numbered many more brilliant conversationalists and controversialists amongst their number than the Bloomsbury Group.
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'In the course of these fifty years we have become a nation of public speakers. Everyone speaks now. We are now more than ever a debating, that is, a Parliamentary people' (The Times, 1873). The Art of Eloquence considers how Byron, Dickens, Tennyson, and Joyce responded to this 'Parliamentary people', and examines the ways in which they and their publics conceived the relations between political speech and literary endeavour. Drawing on a wide range of sources - classical rhetoric, Hansard, newspaper reports, elocutionary manuals, treatises on crowd theory - this book argues that oratorical procedures and languages were formative influences on literary culture from Romanticism to Modernism....
The Tale of Tea is the saga of globalisation. Tea gave birth to paper money, the Opium Wars and Hong Kong, triggered the Anglo-Dutch wars and the American war of independence, shaped the economies and military history of Táng and Sòng China and moulded Chinese art and culture. Whilst black tea dominates the global market today, such tea is a recent invention. No tea plantations existed in the world’s largest black tea producing countries, India, Kenya and Sri Lanka, when the Dutch and the English went to war about tea in the 17th century. This book replaces popular myths about tea with recondite knowledge on the hidden origins and detailed history of today’s globalised beverage in its many modern guises.
This book explores the intersections of gender with class and race in the construction of national and imperial ideologies and their fluid transformation from the Romantic to the Victorian period and beyond, exposing how these cultural constructions are deeply entangled with the family metaphor. For example, by examining the re-signification of the “angel in the house” and the deviant woman in the context of unstable or contingent masculinities and across discourses of class and nation, the volume contributes to a more nuanced understanding of British cultural constructions in the long nineteenth century. The central idea is to unearth the historical roots of the family metaphor in the construction of national and imperial ideologies, and to uncover the interests served by its specific discursive formation. The book explores both male and female stereotypes, enabling a more perceptive comparison, enriched with a nuanced reflection on the construction and social function of class.
The 1790s saw a lively "French Revolution Debate" in England, with much space and intellectual energy, in classic texts by men such as Burke and Paine, and ensuing pamphlet literature, devoted characterisations and representations of the aristocracy; yet this is the first full-scale survey of the subject. Dr Goodrich takes a fresh approach to the topic, illustrating the complexities of the bitter battle fought out in such texts between radicals and loyalists, and highlighting the persistent viciousness and vitriol of a radical anti-aristocratic rhetoric. However, she demonstrates that the loyalist response contained the more innovative campaign, bringing out in particular the development of a commercial loyalism which promoted a new model of society with a modern aristocracy and an open elite; what emerges are English defences of aristocracy which are not simply reducible to ideas of an ancien régime or a Gothic institution. Amanda Goodrich is a lecturer in the history department of the Open University.
Lord Melbourne was Prime Minister of England from 1834-1841. As mentor and father-figure to the young Queen Victoria, he exerted considerable influence over the first few years of her reign. In this, the first biography in twenty years, Leslie Mitchell uses the Melbourne family papers to explore the man behind the politician at the heart of early Victorian politics.