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Joseph Conrad--comparative Essays
This collection of essays continues Adam Gillon's comparatist approach to Joseph Conrad, which he exhibited in three previous books: The Eternal Solitary: A Study of Joseph Conrad (1960 and 1964), Conrad and Shakespeare and Other Essays (1976), and Joseph Conrad (Tawyne English Authors Series), 1982. In the present collection, Gillon extends his perspectives by examining the affinities between Conrad's descriptive art and painting and film. Gillon presents a variety of new views and insights as he traces the connections between Conrad and such writers as Henry James and Vladimir Nabokov and compares Conradian characters Prince Roman and Peer Ivanovitch. Gillon's Polish background looms large...
Global Convict Labour
Global Convict Labour offers a global history of convict labour across many of the regimes of punishment that have appeared from Antiquity to the present, including transportation, prisons, workhouses and labour camps. The editors' essay surveys the available literature, and sets the theoretical basis to approach the issue. The fifteen chapters explore the genealogies of convict labour and its relationships with coloniality and governmentality. The volume re-establishes convict labour firmly within labour history, as one of the entangled, multiple labour relations that have punctuated human history. Similarly, it places convictism back within migration history at large, bridging the gap between the growing literature on convict transportation and research on slavery and other forms of free and bonded migration. Contributors are: Carlos Aguirre, David Arnold, Marc Buggeln, Timothy Coates, Christian G. De Vito, Mary Gibson, Miriam J. Groen-Vallinga, Stacey Hynd, Padraic Kenney, Alex Lichtenstein, Hamish Maxwell-Stewart, Alice Rio, Ricardo D. Salvatore, Jean-Lucien Sanchez, Pieter Spierenburg, Stephan Steiner, Laurens E. Tacoma, Heather Ann Thompson, Lynne Viola.
Conrad’s Presence in Contemporary Culture
The anthology consists of essays authored by scholars of different nationalities from diverse cultures, nations and primary languages. They cover Conrad’s presence across multiple media (fiction, films, comics, and graphic novels). The collection is unique because the contributors focused on Conrad’s presence in contemporary culture – a constantly changing field – rather than well-trodden paths. The exploration of Polish, French, Italian, Spanish, English and American works of art strengthens its originality. The artists discussed in connection with Conrad include Olga Tokarczuk, Stanisław Lem, Robert Silveberg, Loic Godart, Christian Bobin, Christian Perrissin, Tom Tirabosco, Eduardo Berti, J.M. Coetzee, Michelangelo Antonioni. Last but not least, the volume contains 20 stunning reproductions in full colour from films, graphic novels and comics.
The Conradian
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The French Face of Joseph Conrad
A large-scale account of Conrad's extensive involvement with the French literary tradition, Yves Hervouet's book is a milestone in our understanding of his work. It will have a major impact on Conrad scholarship and as a study of cross-cultural influence, it will be of interest to all students of comparative literature in the period.
The Cambridge Companion to Joseph Conrad
The Cambridge Companion to Joseph Conrad offers a wide-ranging introduction to the fiction of Joseph Conrad, one of the most influential novelists of the twentieth century. Through a series of essays by leading Conrad scholars aimed at both students and the general reader, the volume stimulates an informed appreciation of Conrad's work based on an understanding of his cultural and historical situations and fictional techniques. A chronology and overview of Conrad's life precede chapters that explore significant issues in his major writings, and deal in depth with individual works. These are followed by discussions of the special nature of Conrad's narrative techniques, his complex relationships with late-Victorian imperialism and with literary Modernism, and his influence on other writers and artists. Each essay provides guidance to further reading, and a concluding chapter surveys the body of Conrad criticism.
The Polish Review
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National Union Catalog
Includes entries for maps and atlases.
The Reception of Joseph Conrad in Europe
Born and brought up in Poland bilingually in French and Polish but living for most of his professional life in England and writing in English, Joseph Conrad was, from the start, as much a European writer as he was a British one and his work – from his earliest fictions through Heart of Darkness, Nostromo and The Secret Agent to his later novels– has repeatedly been the focal point of discussions about key issues of the modern age. With chapters written by leading international scholars, this book provides a wide-ranging survey of the reception, translation and publication history of Conrad's works across Europe. Covering reviews and critical discussion, and with some attention to adaptations in other media, these chapters situate Conrad's works in their social and political context. The book also includes bibliographies of key translations in each of the European countries covered and a timeline of Conrad's reception throughout the continent.
