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“This book constitutes a very welcome contribution to the public appreciation and scholarly study of Henry Ossawa Tanner, a painter of considerable significance in both Europe and America, and one whose religious imagery merits careful consideration. These well-researched essays by an international team of scholars offer substantial reflections on complex issues of race and religion, and situate the artist’s work and career within the context of his life and times. This is a robust framing of Tanner as a cultural phenomenon and one that readers will find quite rewarding.”—David Morgan, Professor of Religion at Duke University and author of The Embodied Eye: Religious Visual Culture a...
Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- List of Illustrations -- Foreword -- Prologue: Henry Ossawa Tanner, "Negro Painter"--Acknowledgments -- Introduction: Creativity and Racism in the Nineteenth Century -- Notes -- 1 Of the Father and of the Son: The Rise of Benjamin and Henry Tanner -- Notes -- 2 Into the South and Across the Sea: Atlanta and Paris Beckon -- Notes -- 3 The American Interlude: Race and Religion on Canvas -- Notes -- 4 Crossing Over Jordan: Salon Triumph and Spiritual Crisis -- Notes -- 5 A Salon Master in a Modern Century -- Notes -- 6 The Great War, the New Negro, and the Celestial City -- Notes -- Epilogue: The Redemption of Memory -- Notes -- Sources Consulted -- Archives -- Articles, Books and Exhibition Catalogues -- Contemporary Periodicals -- Index
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
These insightful words stated during the 1930s by Reverend Richard Robert Wright Jr. spoke to a twentieth-century reality that white Americans held toward the nation's black citizenry. African Americans of higher station resented being judged by the less-successful members of the race. After the Civil Rights Movement of the 1960s, class distinctions between African Americans became increasingly significant. With the legal demise of racial discrimination, scores of ambitious blacks who embraced middle-class values took advantage of newly created opportunities to enter mainstream America. Ambitious African Americans who coveted a higher standard of living displayed a quest for higher education, presented evidence of a strong work ethic, and endorsed the concept of deferred gratification.
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
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