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Involuntary Confessions of the Flesh in Early Modern France was inspired by the observation that small slips of the flesh (involuntary confessions of the flesh) are omnipresent in early modern texts of many kinds. These slips (which bear similarities to what we would today call the Freudian slip) disrupt and destabilize readings of body, self, and text—three categories whose mutual boundaries this book seeks to soften—but also, in their very messiness, participate in defining them. Involuntary Confessions capitalizes on the uncertainty of such volatile moments, arguing that it is instability itself that provides the tools to navigate and understand the complexity of the early modern worl...
Michel de Montaigne, the inventor of the essay, has always been acknowledged as a great literary figure but has never been thought of as a philosophical original. This book treats Montaigne as a serious thinker in his own right, taking as its point of departure Montaigne's description of himself as 'an unpremeditated and accidental philosopher'. Whereas previous commentators have treated Montaigne's Essays as embodying a scepticism harking back to classical sources, Ann Hartle offers an account that reveals Montaigne's thought to be dialectical, transforming sceptical doubt into wonder at the most familiar aspects of life. This major reassessment of a much admired but also much underestimated thinker will interest a wide range of historians of philosophy as well as scholars in comparative literature, French studies and the history of ideas.
"Carpe Corpus investigates time as it was theorized, imagined, and lived in early modern France. Despite the current flourishing of critical attention to women poets' works, critical assessments of Renaissance temporality remain almost exclusively shaped by early modern male writers." "A reading uninformed by female poets has deprived us of a more multifaceted vision of the temporal concordia discors at work in all these poets." "In Carpe Corpus, Cathy Yandell offers original interpretations of such literary giants as Ronsard and Louise Labe, as well as lesser-known but increasingly studied poets of the sixteenth century, notably Anne de Marquets, Nicole Estienne, and Catherine des Roches. Through readings of poetry, conduct manuals, and moral treatises, this volume seeks to reconstruct the temporal landscape of early modern France."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.
From Topic to Tale was first published in 1987. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The transition from the Middle Ages to the Renaissance has been discussed since the 1940s as a shift from a Latinate culture to one based on a vernacular language, and, since the 1960s, as a shift from orality to literacy. From Topic to Tale focuses on this multifaceted transition, but it poses the problem in different terms: it shows how a rhetorical tradition was transformed into a textual one, and ends ultimately in a discussion of the relationship betwe...
"In preparing his translation for an English audience, the anonymous translator made many references to English authors in his notes, among them More, Hobbes, Swift, and Milton. While he could also have used a variety of French comments on the duke's maximes as well, he deliberately chose to cater to his English readers by emphasizing English parallels and classical sources. In his introduction, Dr. Primer reviews the translation history of the duke's maxims and finds that some of the main characteristics of this translation were borrowed from the posthumously published French edition prepared by the Sieur Abraham-Nicholas Amelot de la Houssaye, whose presence in this edition is visible from...
Beginning with an introduction that examines the portrayal of the characters of Lancelot and Guinevere from their origins to the present day, this collection of 16 essays-five of which appear here for the first time-puts particular emphasis on the appearance of the two characters in medieval and modern literature. Besides several studies exploring feminist concerns, the volume features articles on the representation of the lovers in medieval manuscript illuminations (18 plates focus on scenes of their first kiss and the consummation of the adultery), in film, and in other visual arts. A 200-item bibliography completes the volume.
"The foundational texts of modern French literature were produced during a period of unprecedented struggle over the meaning of community. In the face of religious heresy, political threats from abroad, and new forms of cultural diversity, Renaissance French culture confronted, in new and urgent ways, the question of what it means to be "French." Hampton shows how conflicts between different concepts of community were mediated symbolically through the genesis of new literary forms. Hampton's analysis of works by Rabelais, Montaigne, Du Bellay, and Marguerite de Navarre, as well as writings by lesser-known poets, pamphleteers, and political philosophers, shows that the vulnerability of France and the instability of French identity were pervasive cultural themes during this period.".
The closely related problems of creativity and freedom have long been seen as emblematic of the Renaissance. Ullrich Langer, however, argues that French and Italian Renaissance literature can be profitably reconceived in terms of the way these problems are treated in late medieval scholasticism in general and nominalist theology in particular. Looking at a subject that is relatively unexplored by literary critics, Langer introduces the reader to some basic features of nominalist theology and uses these to focus on what we find to be "modern" in French and Italian literature of the fifteenth and sixteenth centuries. Langer demonstrates that this literature, often in its most interesting momen...
This collection of essays on the structure and interpretation of the French lyric squence marks a number of tentative signposts for future travlers along this relatively unmarked path. It explores the means of seeing how harmony and greater meaning, concordia discors, arises from the organization of a collection of poems into a poetic work.