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This volume, written by specialists, be they political scientists, historians or anthropologists, is a convenient handbook on the origins and history of Turkey's Alevis - an important group that is largely unknown in the West. It examined their ethnic identity, cultural representation, political life, and relations with the Turkish State, The Turkish Left and the Kurdish National Movement.
"This is the first comprehensive social, intellectual and religious history of the wide-spread Sabbatean movement from its birth in the Ottoman Empire in the seventeenth century to the Republic of Turkey in the first half of the twentieth century, claiming that they owed their survival to the internalization of the Kabbalistic "burden of silence"--
In the mid-1990s Turkish cinema experienced a remarkable revival. However, what is particularly unusual about this revival is the emergence of a new representational form: silent, inaudible characters. Equally unusual is the fact that this new on-screen silence had a gender(ed/ing) aspect, since, for the most part, the mute(d) characters were female. This book focuses on these newly emergent silent female characters in the new cinema of Turkey, and explores the relationship between the ‘new’ female representational form, the ‘new’ cinema of Turkey, and the ‘new’ socio-political climate in Turkey after the September 12, 1980 military coup. It investigates two central questions: wh...
Because oral history interviews are personal interactions between human beings, they rarely conform to a methodological ideal. These reflections from oral historians provide honest and rigorous analyses of actual oral history practice that address the complexities of a human-centered methodology.
Kurdish Studies Archive publishes the content of volumes 1 to 10 of Kurdish Studies. This interdisciplinary and peer-reviewed journal was dedicated to publishing high-quality research and scholarship. Since 2023 the journal has been continued as the new Kurdish Studies Journal, published by Brill, and focuses on research, scholarship, and debates in the field of Kurdish studies in a multidisciplinary fashion covering a wide range of topics including, but not limited to, economics, history, society, gender, minorities, politics, health, law, environment, language, media, culture, arts, and education.
Drawing on archival sources, reportage and moving personal stories, de Waal tells the full story of Armenian-Turkish relations since the Genocide in all its extraordinary twists and turns. He looks behind the propaganda to examine the realities of a terrible historical crime and the divisive "politics of genocide" it produced.
The military conflict between the Kurdistan Workers' Party (PKK) and the Turkish Armed Forces has endured over the course of the past three decades. Since 1984, the conflict has claimed the lives of more than 45,000 civilians, militants, and soldiers, as well as causing thousands of casualties and disappearances. It has led to the displacement of millions of people and caused the forced evacuation of nearly 4,000 villages and towns. Suspended periodically by various cease-fires, the conflict has been a significant force in shaping many of the ethnic, social, and political enclaves of contemporary Turkey, where contradictory forms of governance have been installed across the Kurdish region. I...
If countercultural literature is meant to "counter" a culture, what happens when another culture borrows that critique? Translating the Counterculture addresses that question by examining the reception of the Beat Generation in Turkey. There, the Beat message of dissent is being given renewed life as publishers, editors, critics, readers, and others dissatisfied with the conservative social and political trends in the country have turned to the Beats and other countercultural forebears for alternatives. Through an examination of a broad range of literary translations, media portrayals, interviews, and other related materials, Translating the Counterculture seeks to uncover how the Beats and ...
In this vivid portrait of the art world of 1950s Turkey, Sarah-Neel Smith offers a new framework for analyzing global modernisms of the twentieth century: economic development. After World War II, a cohort of influential Turkish modernists built a new art scene in Istanbul and Ankara. The entrepreneurial female gallerist Adalet Cimcoz, the art critic (and future prime minister) Bülent Ecevit, and artists like Aliye Berger, Füreya Koral, and Bedri Rahmi Eyüboğlu were not only focused on aesthetics. On the canvas, in criticism, and in the gallery, these cultural pioneers also grappled with economic questions—attempting to transform their country from a “developing nation” into a major player in the global markets of the postwar period. Smith’s book publishes landmark works of Turkish modernism for the first time, along with an innovative array of sources—from gossip columns to economic theory—to reveal the art world as a key site for the articulation of Turkish nationhood at midcentury.
This book explores responses to authoritarianism in Turkish society through popular culture by examining feature films and television serials produced between 1980 and 2010 about the 1980 coup. Envisioned as an interdisciplinary study in cultural studies rather than a disciplinary work on cinema, the book advocates for an understanding of popular culture in discerning emerging narratives of nationhood. Through feature films and television serials directly dealing with the coup of 1980, the book exposes tropes and discursive continuities such as “childhood” and “the child”. It argues that these conventional tropes enable popular debates on the modern nation’s history and its myths of identity.