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Sherazade
SHERAZADE, AGED 17, DARK CURLY HAIR, GREEN EYES, MISSING Sherazade is seventeen, Algerian, and a ¬runaway in Paris. Although she has no morals, no scruples, no politics, no apparent emotional depth and little education, Sherazade remains curiously unattached but innocent in the city's underworld of drop-outs, outcasts, political activists and junkies. With honesty and lyricism this novel exposes the various issues that affect a young woman living in a city which is both sophisticated and provincial, liberal and conservative, tolerant and prejudiced. In Paris, Sherazade is pursued by Julian, the son of French-Algerians who is an ardent Arabist. Pigeon-holed by Julian into the ¬traditional e...
The Seine was Red
Toward the end of the Algerian war, the FLN, an Algerian nationalist party, organised a demonstration in Paris to oppose a curfew imposed upon Algerians in France. The protest was brutally suppressed by the Paris police. This incident provides an intimate look at the history of violence between France and Algeria.
An Algerian Childhood
"These autobiographical tales are essential reading for all who are fascinated by world politics and history, taken with postcolonial literature, or simply on the hunt for a read that will carry them through the familiarities of childhood and into experiences far beyond their own."--BOOK JACKET.
Confessions of a Madman
Confessions of a Madman personalizes the struggle of a civil war by following the fragmentation and irreversible separation of a single family. Written in alternating flashbacks and descriptions of a man s present, Sebbar delivers what French critics call a modern fable for adults: a tale of familial disorientation, identity, violence, and morality. A young man observes his mother go crazy waiting for her murdered husband to return home. Despite his estrangement with his father, the son vows to avenge his father s death by murdering his father s killers. In delving into his father s past, he discovers his role in an unsuccessful revolt and soon finds himself following in his father s footsteps. He finds himself questioning the value of religious standards and cultural traditions when confronted with sociopolitical conflict. This text discusses the meaningfulness of cultural traditions, their origins, and their potential contemporary repercussions when juxtaposed with a modern context of events."
After Orientalism
How does Edward Said’s Orientalism speak to us today? What relevance did and does it have politically and intellectually? How and in what modes does Orientalism engage with new, intersecting fields of inquiry? At the occasion of the twenty-fifth anniversary of Orientalism these questions shape the essays collected in the present volume. The “after” of the title does not only guide the contributions in a look on past discussions, but specifically points at future research as well. Orientalism’s critical entanglements are thus connected to productive looks; these productive looks make us read differently, but only after we recognize our struggle with the dominant notions that we live b...
Two Major Francophone Women Writers, Assia Djébar and Leïla Sebbar
One of the most widely acknowledged attributes of Francophone literature in general is that it brings wideranging socio-political issues to bear on literary theory, worldviews, and historical events. This study brings to light the resulting implications of this fact on the universal themes of femininity underlying the originating, unveiling, and demystifying that occur in the works of two of the best-known and most highly accomplished women writers of North African origin - Assia Djebar and Leila Sebbar. This study also concerns itself with these writers' texts and intertexts in their relationship with cultural manifestations and with language."
Contemporary Arab Women Writers
This book engages with contemporary Arab women writers from Egypt, Palestine, Lebanon and Algeria. In spite of Edward Said’s groundbreaking reappraisal of the uneven relationship between the West and the Arab world in Orientalism, there has been little postcolonial criticism of Arab writing. Anastasia Valassopoulos raises the profile of Arab women writers by examining how they negotiate contexts and experiences that have come to be identified with postcoloniality such as the preoccupation with Western feminism, political conflict and war, the social effects of non-conformity and female empowerment, and the negotiation of influential cultural discourses such as orientalism. Contemporary Ara...
Arab, Muslim, Woman
Given a long history of representation by others, what themes and techniques do Arab Muslim women writers, filmmakers and visual artists foreground in their presentation of postcolonial experience? Lindsey Moore’s groundbreaking book demonstrates ways in which women appropriate textual and visual modes of representation, often in cross-fertilizing ways, in challenges to Orientalist/colonialist, nationalist, Islamist, and ‘multicultural’ paradigms. She provides an accessible but theoretically-informed analysis by foregrounding tropes of vision, visibility and voice; post-nationalist melancholia and mother/daughter narratives; transformations of ‘homes and harems’; and border crossin...
The Body Besieged
The Body Beseiged: The Embodiment of Historical Memory in Nina Bouraoui and Le la Sebbar by Helen Vassallo brings together the work of two important contemporary writers, Nina Bouraoui and Le la Sebbar. Both authors embody a significant historical divide (they are half French and half Algerian), and each author's work returns unfailingly to the legacy of opposition engendered by the colonial past that France and Algeria share: neither Bouraoui nor Sebbar claims any intention to write about the Algerian War of Independence, and yet its impact is felt throughout all of the texts chosen for discussion. This inescapable omnipresence of the Algerian War is conceptualized here as "embodied memory,...
