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Crazy Like a Fox
Winner of the 2017 Wrestling Observer Award for Best Wrestling Book. "Outstanding" - Stone Cold Steve Austin "The best biography ever done on a wrestler" - Dave Meltzer, Wrestling Observer "May very well be the most compelling pro wrestling biography in the history of the genre" - Alex Marvez, Sporting News "Transcends wrestling bios" - Mike Johnson, PWInsider.com "The research that this author went into...it's unbelievable. I can't recommend this book enough" - John Pollock, POST Wrestling "*****" - John Lister, Cinemazine An alpha male with a beta body, looking to thrive in worlds where beta males with alpha bodies are the primary requirement. He was a complex paradox, a walking contradict...
The Pawnbroker's Reward
'A powerful and gripping piece of writing from a born storyteller.' Joseph O'Connor 'The narrative is just like his singing voice, full of powerful strength and compassion.' Michael Harding 'Lucid, lovingly-written and lyrical.' Professor Christine Kinealy 1846. County Cork. On the barren outskirts of Macroom, Pádraig and Cáit ua Buachalla face a perilous winter after the comprehensive failure of their blighted crop – the final episode in a whole history threatening to push them over the edge. From his shop at the centre of town, pawnbroker Cornelius Creed sees the poor in their darkest hour, his premises often being their last stop on the way to the workhouse. Perfectly placed at the ju...
Thrown Under the Omnibus
An essential collection of career-spanning writings by the political satirist and #1 New York Times–bestselling author of Parliament of Whores. From his early pieces for the National Lampoon, through his classic reporting as Rolling Stone’s International Affairs editor in the 1980s and 1990s, and his brilliant, inimitable political journalism and analysis, P. J. O’Rourke has been entertaining and provoking readers with high octane prose, a gonzo Republican attitude, and a rare ability to make you laugh out loud. Christopher Buckley once described his work as “S. J. Perelman on acid.” Thrown Under the Omnibus brings together his funniest, most outrageous, most controversial, and most loved pieces in the definitive O’Rourke reader. Handpicked and introduced by the humorist himself, Thrown Under the Omnibus is the essential O’Rourke anthology. “The funniest writer in America.” —The Wall Street Journal
An Irish Literature Reader
In a volume that has become a standard text in Irish studies and serves as a course-friendly alternative to the Field Day anthology, editors Maureen O’Rourke Murphy and James MacKillop survey thirteen centuries of Irish literature, including Old Irish epic and lyric poetry, Irish folksongs, and drama. For each author the editors provide a biographical sketch, a brief discussion of how his or her selections relate to a larger body of work, and a selected bibliography. In addition, this new volume includes a larger sampling of women writers.
The O'rourkes
Robert O'Rourke, bastard son of a Belfast scullery maid, came to America in 1820. He started life in a nation that was experiencing the ups and downs of the start of the Industrial Revolution. by working in one of Lowell's first mills. Anti-papists drove him north in 1821. He fled to Dover, New Hampshire to begin life anew. He married into one of the town's oldest families, earning his father-in-law's respect and his brother-in-law's hatred. Years passed and he amassed holdings in textiles, bricks, land, lumber, railroads and new inventions from Bangor, Maine to Chicago. He learned who his father was and what wealth and power the man left him. His life was entwined with historic happenings as inhabitants of a boisterous new nation strove to cope with government struggles, world recognition and the slavery question. As O'Rourke built his dynasty, even joining the '49 Gold Rush, family members, business associates and friends sought to find a place in the life of this melancholy man. All of this took place in a fast changing country in the years before the agony of secession and Civil War.
The All-New Real Estate Foreclosure, Short-Selling, Underwater, Property Auction, Positive Cash Flow Book
Praise for How to Sell Your Home Without a Broker "On a scale of 1 to 10, this book is a 10." Robert Bruss Jump into the real estate game and win big! Home values are crashing and foreclosures are way up. You might think this is a terrible time to get into the real estate market but you'd be wrong! A crashing real estate market offers plenty of opportunity to profit, if you know how to change your strategy and adjust to the new market reality. In The All-New Real Estate Foreclosure, Short-Selling, Underwater, Property Auction, Positive Cash Flow Book, top real estate investors and authors Chantal and Bill Carey show you how to get in safely and get out profitably. They present four new strat...
Our Lady of Greenwich Village
In his brilliant second novel, Dermot McEvoy sweeps his readers into the midst of one of the most heated political races in New York City history, where an unlikely player decides to make her presence known. First it hits the papers that the Virgin Mary has appeared to Jackie Swift, an affable G.O.P. congressman with a couple of nasty habits. She then appears in a dream to Wolfe Tone O’Rourke, a liberal political consultant who is still haunted by the ghost of Bobby Kennedy, whose death he feels responsible for.Swift uses the Virgin, soon styled “Our Lady of Greenwich Village,” to put a strong anti-abortion spin on his current run for office, which immediately polarizes Greenwich Villa...
Irish Literature
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Sounding Dissent
The signing of the Good Friday Agreement on April 10, 1998, marked the beginning of a new era of peace and stability in Northern Ireland. As the public overwhelmingly rejected a return to the violence of the Troubles, loyalist and republican groups sought other outlets to continue their struggle. Music, which has long been used to celebrate cultural identity in the North of Ireland, became a key means of facilitating the continuation of pre-Agreement identity narratives in a “post-conflict” era. Sounding Dissent draws on three years of sustained fieldwork within Belfast's rebel music scene, in-depth interviews with republican musicians, contemporary audiences, and former paramilitaries, as well as diverse historical and archival material, including songbooks, prison records, and newspaper articles, to understand the history of political violence in Ireland.The book examines the potential of rebel songs to memorialize a pantheon of republican martyrs, and demonstrates how musical performance and political song not only articulate experiences and memories of oppression and violence, but also play a central role in the reproduction of conflict and exclusion in times of peace.
