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Designers around the world are carving out opportunities for new kinds of engagement, new kinds of collaboration, new kinds of design outcomes, and new kinds of practice; overturning the inherited assumptions of the design professions. Seventeen conversations with practitioners from the fields of architecture, policy, activism, design, education, research, history, community engagement and more, each representing an emergent role for designers to occupy. Whether the "civic entrepreneur," the "double agent," or the "strategic designer," this book offers a diverse spectrum of approaches to design, each offering a potential future for architectural practice. With a foreword by Dan Hill and interviews with Steve Ashton, ARM; Bryan Boyer, Helsinki Design Lab; Camila Bustamante; Mel Dodd, muf_aus; DUS Architects; Jeanne Gang, Studio Gang; Reinier de Graaf and Laura Baird, AMO; Conrad Hamann; Natalie Jeremijenko, xClinic; Indy Johar, 00:/;Bruce Mau; Arjen Oosterman and Lilet Breddels, Volume; Todd Reisz; Wouter Vanstiphout, Crimson; Matt Webb, BERG; Marcus Westbury, Renew Newcastle; and Liam Young, Unknown Fields
Published for 010 Publisher's twentieth anniversary in 2003, this volume celebrates the publishing vision of Hans Oldewarris and Peter de Winter, 010's founders. Besides hundreds of monographs by and about Dutch architects, 010 has published books on architecture, interior design, photography, industrial design, graphic design and the visual arts. Exhaustively annotated and illustrated, 20 Years 010 provides not only the technical details of each book (size, format, binding) but also the authors, editors, photographers, graphic designers and printers. A brief description of the contents rounds off each entry. Comprehensive indexes give insight into who contributed to which book and in what way. In their introductory essay, Ed Taverne and Cor Wagenaar give a picture of the practice of architectural publishing in the Netherlands during those years.
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Winner of the Urban Design Group's 2014 Book of the Year Award! In the past, spatial masterplans for cities have been fixed blueprints realized as physical form through conventional top down processes. These frequently disregarded existing social and cultural structures, while the old modernist planning model zoned space for home and work. At a time of urban growth, these models are now being replaced by more adaptable, mixed use plans dealing holistically with the physical, social and economic revival of districts, cities and regions. Through today’s public participative approaches and using technologically enabled tools, contemporary masterplanning instruments embody fresh principles, gi...
This book displays and dissects the career and design motives of graphic designer Joost Grootens. In a systematic fashion it charts the first 100 books designed by Grootens over the past ten years. In the first chapter, '10 years', Grootens uses timelines, lists and graphs to map the course of his career as a designer, the people he worked with and the places where the work took place. In '100 books', the designer dissects his book designs. He details the grids, formats, paper stocks, colours and typefaces, and charts the books' structures and compositions. '18,788 pages' shows at actual size a selection of spreads from books designed by Grootens, including the internationally acclaimed atlases. In the text 'I swear I use no art at all' Joost Grootens gives a personal account of making books and the ideas behind his designs.
Staggering skylines and boastful architecture make Dubai famous—this book traces them back to a twentieth-century plan for survival. In 1959, experts agreed that if Dubai was to become something more than an unruly port, a plan was needed. Specifically, a town plan was prescribed to fortify the city from obscurity and disorder. With the proverbial handshake, Dubai's ruler hired British architect John Harris to design Dubai's strategy for capturing the world's attention—and then its investments. Showpiece City recounts the story of how Harris and other hired professionals planned Dubai's spectacular transformation through the 1970s. Drawing on exclusive interviews, private archives, dog-e...
Interested in improving contemporary urban life and the social relations that it contains, Alicia Framis has, for instance, spent the night with strangers, recording their dreams, and built a mobile platform where artists, architects and the public can develop and exchange ideas. Her work from 1994 to the present is collected here.
The Stadium is an unprecedented and comprehensive look at the intersections between architecture, urban design, sports and sports culture -- from histories of the changing social function and character of sport, to the changing field of stadium architecture. A special feature is a series of 'city chapters' examining how individual cities deal with their sports complexes and how they use them as a springboard for urban redevelopment. The Stadium also treats a number of topical themes such as the influence of sports-fan 'hooliganism' on the design of a stadium and its surroundings, developments in areas of comfort, infrastructure, and commerce, advances on the technical front, and the working ...
Organized into three sections addressing Bauhaus location, history and character, the book highlights its open-ended curriculum, workshop-based combination of research and design, theory and practice, and its structural inte- gration of artistic disciplines that make it a model for the future.
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