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Twenty-six interviews with the outspoken writer range over six decades of her life and career.
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Few literary celebrities have lived with more abandon and under a brighter spotlight than Lillian Hellman. Even fewer have been doubted as absolutely as Hellman, famously denounced by rival Mary McCarthy. Attacked by critics and idealized by admirers, Hellman's determination to control and manipulate her image helped make her a figure of unknowable half–truths and rumors. Until now. Lillian Hellman: A Life with Foxes and Scoundrels is the first biography of the iconoclastic playwright written with the full cooperation of her family, friends, and inner circle. Deborah Martinson moves beyond the myths around Hellman and finds the sassy, outrageous woman committed to writing, to politics, and...
This portrait traces the controversial life of the successful playwright, including her relationship with Dashiell Hammett and details her active role in ideological battles and her celebrated feuds with everyone from Tallulah Bankhead to Mary McCarthy.
People remain fascinated by her love affairs, her thirty-year relationship with the detective fiction writer Dashiell Hammett, and her visits to Spain during its civil war and to Russia during World War II."--BOOK JACKET.
Lillian Hellman was a giant of twentieth-century letters and a groundbreaking figure as one of the most successful female playwrights on Broadway. Yet the author of The Little Foxes and Toys in the Attic is today remembered more as a toxic, bitter survivor and literary fabulist, the woman of whom Mary McCarthy said, "Every word she writes is a lie, including 'and' and 'the.'" In A Difficult Woman, renowned historian Alice Kessler-Harris undertakes a feat few would dare to attempt: a reclamation of a combative, controversial woman who straddled so many political and cultural fault lines of her time. Kessler-Harris renders Hellman's feisty wit and personality in all of its contradictions: as a...
A biography of the woman famous for her stage and screen plays such as "The Children's Hour," and for her support of liberal causes.
Caustic, brilliant, uncompromising, accomplished, Lillian Hellman, one writer noted, can "take the tops off bottles with her teeth". Her career as a playwright began in 1938 with The Children's Hour, the first of seven plays that would bring her international attention and praise. Thirty years later, Hellman unleashed her peerless wit and candor on the subject she knew best: herself. An Unfinished Woman is a rich, surprising, emotionally charged portrait of a bygone world -- and of an independent-minded woman coming into her own. Wendy Wasserstein's introduction to this new edition provides a fascinating literary and historical context for reexamining Lillian Hellman's life and achievement.
The author first met Hellman when he was 10 and she 35. Here he recounts the evolution of their relationship that lasted until her death.