You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
In this collection of academic essays, award-winning pianist and music professor Yaokun Yang shares her carefully compiled analyses of classical music and aesthetics during several different periods, focusing particularly on the aspect of piano performance practice. Yang, who devoted six years to her research, offers extensive commentary, historical background, and comparisons of varied composers and their music. The pieces she studies include Beethovens piano sonatas, an advanced piano teaching series, the development of opera in different areas, Bachs Brandenburg concertos, Haydns piano sonatas, the Bach-Busoni Chaconne, Brahmss Intermezzo, Olivier Messiaens Vingt regards sur lenfant-Jsus, Prokofievs piano sonatas, Weberns Six Pieces for Large Orchestra, and Schumanns Piano Concerto. With this collection of analyses, Yang hopes to provide information and commentary to help contemporary pianists recognize the beauty and the challenges of performing different musical styles in appropriate ways.
Features 50 compositions from early Middle Ages to mid-18th century, including a Gregorian hymn, English lute piece, operatic arias, instrumental and vocal motets; works by Vivaldi, Telemann, Scarlatti, and others. Features commentary.
This concise volume offers both a practical manual for performers and an authoritative history of the instrument. Includes advice on mastering basic touch, fingering, articulation and phrasing, rhythm and tempo, ornaments, more.
First comprehensive historical study, going back to 18th century. Influence of Schola Cantorum; instrument builders; performers such as Wanda Landowska, Alfred Deller, others. Includes 46 illustrations. "Well informed" -- Christopher Hogwood.
One of most important books in Western music. Detailed explanation of principles of diatonic harmonic theory. New 1971 translation by Philip Gossett of 1722 edition. Many musical examples.
An internationally renowned manufacturer, designer, and inventor of piano-making machinery presents a history of the development of the 19th-century piano. Photographs of instruments, working diagrams, and portraits of important personalities accompany the text. Covers automatic instruments, including player pianos. "Invaluable data about American piano making." — Grove's.
Rubinstein's pedaling technique is explored using examples from a vast repertoire of works he performed in 1885-6. Carreño's observations explore her sensitivity made possible through combinations of touch and pedal.
Three important works by conductor Felix Weingartner (1863–1942) include a detailed account of performing difficulties and interpretation questions involved in each of Beethoven's symphonies, plus the essays "On Conducting" and "The Symphony Since Beethoven."
A master of technique discusses practice methods, pedal use, playing pieces as written, and other rules. He also offers suggestions for body and hand positions, wrist and arm action, phrasing, and much more.
Here, in one remarkable volume, are the thoughts, musical insights, and invaluable practical advice from a host of world-class musicians. Ignacy Paderewski talks about the correct motion of fingers and forearm in his new "Méthode"; Josef Hofmann talks about the role of inspiration, Leopold Godowsky discusses the laws governing technique, more. Introduction by Dr. Jeffrey Johnson.