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Felix Weingartner
None
On the Performance of Beethoven's Symphonies
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Felix Weingartner
None
On the Performance of Beethoven's Symphonies
A legendary conductor and composer, Felix Weingartner provides a detailed and insightful analysis of the orchestration and performance of Beethoven's symphonic works. Originally published in the early 20th century, this work remains a valuable resource for conductors, scholars, and music lovers alike. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Brahms Studies
A publication of the American Brahms Society, Brahms Studies publishes essays on the life, work, and artistic milieu of Johannes Brahms. Each volume collects the best in Brahms scholarship, including criticism, analysis, theory, biography, archival and documentary studies, and translations of important studies that have appeared in foreign languages.
The New Bruckner
The New Bruckner provides a valuable study of Bruckner's music, focusing on the interaction of biography, textual scholarship, reception history and analysis. Dr Dermot Gault conveys a broad chronological narrative of Bruckner's compositional development, interpolating analytical commentaries on the works and critical accounts of the notoriously complex and editorial issues. Gault corrects longstanding misconceptions about the composer's revision process, and its relationship with the early editions and widely-held critical opinions. Bruckner's constantly evolving engagement with symphonic form is traced by taking each revision in due order, rather than by taking each symphony on its own, and by relating the symphonies to other mature works such as the Te Deum, the three great Masses, and the Quintet, and argues that Bruckner's music became more organic and less schematic as the result of his revisions. The book will be essential reading for those studying Bruckner's compositions, the complex history of their reception, and late Romantic music in general.
Stargardt-Wolff, Edith
The author describes in this book the era of the German and European music existence between 1880 and 1935. She is the daughter of the founders, Hermann and Louise Wolff. She describes the activities of her parents based upon letters of her parents and correspondences with artists. The agency developed into a worldwide, renowned music agency but had to close in 1935 for political reasons. The author gives us the opportunity to sit at the table with famous artists of yesterday and today: conductors, pianists, singers, composers, dancers, etc. Even things that happen historically are brought to light. We cannot speak of Hermann and Louise as "managers" or "agents" in the normal sense. They were of an artistic nature (note--Hermann, German, was a pianist; Louise, Austrian, was an actress). After Hermann's death, "Queen Louise" (as she was called) continued to run the company in the same spirit. Note, "Queen Louise" references Konigin Louise (1776-1810), who was, indeed, the beloved queen of Mecklenburg-Strelitz, eighty kilometers north of Berlin.
Twentieth Century Music Writers - A Hyperlist
How many composers, songwriters and lyricists wrote music in the twentieth century?? Who were they?? This first edition identifies more than 14,000 people who did so, and all are listed in this eBook alphabetically along with a hyperlink to their Wikipedia biographical data. Performers of blues, folk, jazz, rock & roll and R&B are included by default. PLEASE NOTE: THE HYPERLINKS IN THIS BOOK ONLY FUNCTION ON GOOGLE PLAY aka THE 'FLOWING' VERSION. The hyperlinks in this book DO NOT CURRENTLY FUNCTION on the GOOGLE BOOKS ' FIXED' version.
