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Theatrical Costume, Masks, Make-Up and Wigs
This is the first bibliography in its field, based on first-hand collations of the actual articles. International in scope, it includes publications found in public theatre libraries and archives of Barcelona, Berlin, Brussels, Budapest, Florence, London, Milan, New York and Paris amongst others. Over 3500 detailed entries on separately published sources such as books, sales and exhibition catalogues and pamphlets provide an indispensible guide for theatre students, practitioners and historians. Indices cover designers, productions, actors and performers. The iconography provides an indexed record of over 6000 printed plates of performers in role, illustrating performance costume from the 18th to 20th century.
Active Voices
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From Desert Sands to Golden Oranges
German pioneers who developed settlements and businesses in Palestine - revolutionising agricultural production during late 19th and early 20th centuries. Their ventures contributed significantly to the modernisation of Palestine and ultimately Israel.
German Pioneers on the American Frontier
Wilhelm Wagner (1803-1877), son of Peter Wagner, was born in Dürkheim, Germany. He married Friedericke Odenwald (1812-1893). They had nine children. They emigrated and settled in Illinois. His brother, Julius Wagner (1816-1903) married Emilie M. Schneider (1820-1896). They had seven children. They emigrated and settled in Texas.
Official Register
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Passing Illusions
Challenges the notion that Weimar Jews sought to be invisible or indistinguishable from other Germans by "passing" as non-Jews
The Wagner Companion
All Wagner operas, including the early fragment Die Hochzeit and the three youthful works Die Feen, Das Liebesverbot, and Rienzi, are analyzed individually with extensive synopses and historical notes, including places, dates, and the cast listings of the premiere performances in Germany, Britain, and America. Shaw's famous "Wagner at Bayreuth" is also reproduced. And the highly controversial production of Der Ring des Nibelungen mounted for the 1976 Centenary Festival at Bayreuth is discussed and compared with other major productions. Finally, an extensive discography is compiled specifically for this volume.
